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This publication focuses on a lesser-known temporary artwork created by Paul Thek during his winter 1973/74 residency at the LehmbruckMuseum in Duisburg. His expansive environment, “Ark, Pyramid – Christmas” (“The Manger”), occupied an entire room and was an evolution of his earlier installation from documenta 5 in Kassel (1972). Organized by museum director Siegfried Salzmann, this exhibition marked the fourth in Thek’s series of large-scale projects across Europe, integrating individualized religious symbols. The holiday season also inspired Thek to present his first self-written theatre piece, a nativity play featuring local children. Recently discovered original materials and documents in the museum’s repository allow for a detailed reconstruction of the exhibition within this book. Additionally, it includes an interview conducted by Marietta Franke with Franz Deckwitz, who assisted in the installation in 1973.
Buchkauf
From cross to crib, Paul Thek
- Sprache
- Erscheinungsdatum
- 2014
- product-detail.submit-box.info.binding
- (Paperback)
Keiner hat bisher bewertet.
- Titel
- From cross to crib
- Sprache
- Englisch
- Autor*innen
- Paul Thek
- Verlag
- König
- Erscheinungsdatum
- 2014
- Einband
- Paperback
- Seitenzahl
- 180
- ISBN10
- 3863353358
- ISBN13
- 9783863353353
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur
- Beschreibung
- This publication focuses on a lesser-known temporary artwork created by Paul Thek during his winter 1973/74 residency at the LehmbruckMuseum in Duisburg. His expansive environment, “Ark, Pyramid – Christmas” (“The Manger”), occupied an entire room and was an evolution of his earlier installation from documenta 5 in Kassel (1972). Organized by museum director Siegfried Salzmann, this exhibition marked the fourth in Thek’s series of large-scale projects across Europe, integrating individualized religious symbols. The holiday season also inspired Thek to present his first self-written theatre piece, a nativity play featuring local children. Recently discovered original materials and documents in the museum’s repository allow for a detailed reconstruction of the exhibition within this book. Additionally, it includes an interview conducted by Marietta Franke with Franz Deckwitz, who assisted in the installation in 1973.