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Mechanisms of Power. The Spanish artist Cristina Lucas (b. Jaén, 1973; lives and works in Madrid) works in a wide range of media and genres. Central concerns include the confrontation of subjective and political historiographies and a critical examination of cultural stereotypes. The publication's point of departure is the multichannel video installation Unending Lightning, begun in 2013, in which Lucas undertakes a painstaking study of the history of aerial warfare. The book also showcases works that limn a contemporary perspective on value chains and the capitalization of time and landscape. Moreover, the artist has developed a corpus of critical cartographic models that offer algorithmic, philosophical, poetic, or, in some instances, humorous visualizations of unexpected nexuses. The first German-language publication on Cristina Lucas's art, it offers a comprehensive survey of her oeuvre to date. Cristina Lucas studied fine arts at the University of California and the Universidad Complutense, Madrid.
Buchkauf
Cristina Lucas, Frédéric Bußmann
- Sprache
- Erscheinungsdatum
- 2021
- product-detail.submit-box.info.binding
- (Hardcover)
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- Titel
- Cristina Lucas
- Untertitel
- Maschine im Stillstand - Immobile Engine
- Sprache
- Englisch, Deutsch
- Autor*innen
- Frédéric Bußmann
- Erscheinungsdatum
- 2021
- Einband
- Hardcover
- Seitenzahl
- 144
- ISBN10
- 3969120535
- ISBN13
- 9783969120538
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Hobby, Architektur, Architektur & Städtebau
- Beschreibung
- Mechanisms of Power. The Spanish artist Cristina Lucas (b. Jaén, 1973; lives and works in Madrid) works in a wide range of media and genres. Central concerns include the confrontation of subjective and political historiographies and a critical examination of cultural stereotypes. The publication's point of departure is the multichannel video installation Unending Lightning, begun in 2013, in which Lucas undertakes a painstaking study of the history of aerial warfare. The book also showcases works that limn a contemporary perspective on value chains and the capitalization of time and landscape. Moreover, the artist has developed a corpus of critical cartographic models that offer algorithmic, philosophical, poetic, or, in some instances, humorous visualizations of unexpected nexuses. The first German-language publication on Cristina Lucas's art, it offers a comprehensive survey of her oeuvre to date. Cristina Lucas studied fine arts at the University of California and the Universidad Complutense, Madrid.