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Stop. Keep Moving

An Oxymoronic Approach to Architecture

Autor*innen

  • Autorenkollektiv

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The subtitle of the book says it all: An Oxymoronic Approach to Architecture. The lively urbanist revolutionaries of Mexico City-based Bunker Arquitectura take a powerfully unconventional approach to architecture, urban planning and design, using oxymorons inherently contradictory concepts to create new meaning and find ingenious solutions to eccentric demands. The book itself is a delightful collection of bits and pieces, drawings, cartoons, maps, aerial photos, collages, even completed projects, showing the firm's remarkably diverse approach to problem-solving. Whether they're designing urban plazas, apartment buildings, car showrooms or religious sites, this firm takes nothing for granted. They're not hung up on pristine, modernist beauty, or aiming to be published in the glossy shelter magazines; this bunch is more likely to take on an abandoned project in a slum and turn it into something dynamic.

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Stop. Keep Moving, Autorenkollektiv

Sprache
Erscheinungsdatum
2010
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(Paperback)
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Titel
Stop. Keep Moving
Untertitel
An Oxymoronic Approach to Architecture
Sprache
Spanisch
Autor*innen
Autorenkollektiv
Erscheinungsdatum
2010
Einband
Paperback
Seitenzahl
248
ISBN10
6077784079
ISBN13
9786077784074
Reihe
Bewertung
4 von 5 Sternen
Beschreibung
The subtitle of the book says it all: An Oxymoronic Approach to Architecture. The lively urbanist revolutionaries of Mexico City-based Bunker Arquitectura take a powerfully unconventional approach to architecture, urban planning and design, using oxymorons inherently contradictory concepts to create new meaning and find ingenious solutions to eccentric demands. The book itself is a delightful collection of bits and pieces, drawings, cartoons, maps, aerial photos, collages, even completed projects, showing the firm's remarkably diverse approach to problem-solving. Whether they're designing urban plazas, apartment buildings, car showrooms or religious sites, this firm takes nothing for granted. They're not hung up on pristine, modernist beauty, or aiming to be published in the glossy shelter magazines; this bunch is more likely to take on an abandoned project in a slum and turn it into something dynamic.