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Street & Studio

An Urban History of Photography

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The street allows photographers to conceal cameras and catch subjects unaware, in informal settings. By contrast, the studio permits both photographers and subjects to present carefully composed images to the world through elaborate staging and technical tricks. In recent years, with celebrities posing in the street and the studio being used for more informal, intimate shots, both traditions have undergone a transformation. This stunning collection features many of the greatest street hotographers of all time―Atget, Brassai, Cartier-Bresson, Arbus, Frank, as well as studio-based artists such as Carlo Ponti, Edward Steichen, Richard Avedon, Annie Leibovitz, and Jurgen Teller. Street and Studio provides a revealing look at the history of photography through the contrasts and tensions between these two traditions. Insightful and engaging essays by leading critics explore how the images these photographers have produced have conditioned the way we see both the modern city and ourselves.

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Street & Studio, Ute Eskildsen

Sprache
Erscheinungsdatum
2008
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Titel
Street & Studio
Untertitel
An Urban History of Photography
Sprache
Englisch
Autor*innen
Ute Eskildsen
Erscheinungsdatum
2008
Einband
Paperback
Seitenzahl
224
ISBN10
1854377787
ISBN13
9781854377784
Reihe
Beschreibung
The street allows photographers to conceal cameras and catch subjects unaware, in informal settings. By contrast, the studio permits both photographers and subjects to present carefully composed images to the world through elaborate staging and technical tricks. In recent years, with celebrities posing in the street and the studio being used for more informal, intimate shots, both traditions have undergone a transformation. This stunning collection features many of the greatest street hotographers of all time―Atget, Brassai, Cartier-Bresson, Arbus, Frank, as well as studio-based artists such as Carlo Ponti, Edward Steichen, Richard Avedon, Annie Leibovitz, and Jurgen Teller. Street and Studio provides a revealing look at the history of photography through the contrasts and tensions between these two traditions. Insightful and engaging essays by leading critics explore how the images these photographers have produced have conditioned the way we see both the modern city and ourselves.