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Discovering the Forbidden City

发现紫禁城: Jiang Guofang and His Oil Paintings of the Imperial Palace / 姜国芳与他的宫廷油画

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  • 223 Seiten
  • 8 Lesestunden

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In the course of creating the Forbidden City series of works, Jiang Guofang derived inspiration from those gorgeous rooms and Chinese traditional decorations and received more inspiration from the people who lived in them princesses, empresses and imperial concubines. But the painter did not want to recreate true history in the traditional sense, nor did he want to put rigidly on the canvas the scenes of that time and the way the specific people expressed their thought. The painter had no intention to explain the past era. The aspect of the pictures as records of actual events was covered up by the non-historic method of creation. Jiang Guofang has actually imparted a new content to historical themes and made it a way of expressing his personal concept of art. The painter himself said, I look upon all the pictures as cultural products. Like all other cultural products, they must be created and inspired by certain things. But I am not writing a history book, nor do I want to

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Discovering the Forbidden City, Jiang Guofang, 姜国芳

Sprache
Erscheinungsdatum
2009
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Titel
Discovering the Forbidden City
Untertitel
发现紫禁城: Jiang Guofang and His Oil Paintings of the Imperial Palace / 姜国芳与他的宫廷油画
Erscheinungsdatum
2009
Einband
Paperback
Seitenzahl
223
ISBN10
7119058274
ISBN13
9787119058276
Reihe
Schlagwörter
Architektur, Landschaft
Beschreibung
In the course of creating the Forbidden City series of works, Jiang Guofang derived inspiration from those gorgeous rooms and Chinese traditional decorations and received more inspiration from the people who lived in them princesses, empresses and imperial concubines. But the painter did not want to recreate true history in the traditional sense, nor did he want to put rigidly on the canvas the scenes of that time and the way the specific people expressed their thought. The painter had no intention to explain the past era. The aspect of the pictures as records of actual events was covered up by the non-historic method of creation. Jiang Guofang has actually imparted a new content to historical themes and made it a way of expressing his personal concept of art. The painter himself said, I look upon all the pictures as cultural products. Like all other cultural products, they must be created and inspired by certain things. But I am not writing a history book, nor do I want to