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Crown of Song

Metaphor in Pindar

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  • 180 Seiten
  • 7 Lesestunden

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Pindar (c. 518-438 B.C.), one of ancient Greece's most famous lyric poets, is perhaps best known for his victory (epinicean) odes, written to honor the winners at various sets of games, such as the Olympiad. In Crown of Song , Deborah Steiner's study of these odes, she writes "If Pindar isremote from us in genre, his style strikes the reader as vivid and immediate. And in my reading of the epinicean odes, it is the poet's use of metaphor that accounts for the dynamic quality of his verse." Steiner begins her analysis by exploring both ancient and modern theories of metaphor, andthen turns to specific imagery employed by the poet--plant life, athletics, minerals and numerous others--as a way of understanding how these metaphoric complexes function in the poet's praise of the victor, his assertion of his own place as perpetuator of the victor's immortal fame, and in hisvision of human achievement and glory in the context of mortal life and immortal gods. Written in a lively, readable style, Crown of Song opens up the sometimes difficult verse of this celebrated ancient poet to modern readers.

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Crown of Song, Deborah Steiner

Sprache
Erscheinungsdatum
1986
Einband
(Hardcover)
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Titel
Crown of Song
Untertitel
Metaphor in Pindar
Sprache
Englisch
Autor*innen
Deborah Steiner
Erscheinungsdatum
1986
Einband
Hardcover
Seitenzahl
180
ISBN10
0195041283
ISBN13
9780195041286
Reihe
Schlagwörter
Beschreibung
Pindar (c. 518-438 B.C.), one of ancient Greece's most famous lyric poets, is perhaps best known for his victory (epinicean) odes, written to honor the winners at various sets of games, such as the Olympiad. In Crown of Song , Deborah Steiner's study of these odes, she writes "If Pindar isremote from us in genre, his style strikes the reader as vivid and immediate. And in my reading of the epinicean odes, it is the poet's use of metaphor that accounts for the dynamic quality of his verse." Steiner begins her analysis by exploring both ancient and modern theories of metaphor, andthen turns to specific imagery employed by the poet--plant life, athletics, minerals and numerous others--as a way of understanding how these metaphoric complexes function in the poet's praise of the victor, his assertion of his own place as perpetuator of the victor's immortal fame, and in hisvision of human achievement and glory in the context of mortal life and immortal gods. Written in a lively, readable style, Crown of Song opens up the sometimes difficult verse of this celebrated ancient poet to modern readers.