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Simon Stephens

    6. Februar 1971
    Stephens Plays: 3
    The Curious Incident of the Dog in the Night-Time: Abridged for Schools
    Ship Models in the Thomson Collection at the Art Gallery of Ontario
    Navy Board Ship Models
    Motortown
    Ship Models
    • 2021
    • 2018
    • 2018

      Philian Gregory

      • 416 Seiten
      • 15 Lesestunden

      Philian Gregory is a struggling City trader. Nathan Carrington, an alcoholic beggar. When a random act of kindness draws them into an unlikely friendship, they embark on a journey that will change their lives forever.

      Philian Gregory
    • 2017

      Righteous Correction?

      • 496 Seiten
      • 18 Lesestunden

      A thrilling new crime series based on the English canals. An enigmatic hero with a tragic past fights crime and injustice using cutting edge technology and drones.

      Righteous Correction?
    • 2017

      Nuclear War & The Songs for Wende

      • 72 Seiten
      • 3 Lesestunden

      Nuclear war is a collaboration between Simon Stephens and choreographer and movement director Imogen Knight; the lyrics for The songs for Wende were written by Simon Stephens for a musical collaboration with Dutch singer- songwriter Wende Snijders, performed at Schouwburg Het Park in Westerdijk, The Netherlands, in March 2017.

      Nuclear War & The Songs for Wende
    • 2016

      Simon Stephens: A Working Diary

      • 312 Seiten
      • 11 Lesestunden

      2014 was a spectacular year for playwright Simon Stephens, who has been described by the Independent as 'a brilliant writer of immense imagination' and by the Financial Times as having 'emerged in this millennium as an outstanding playwright'. 2014 was a year for Simon Stephens which featured a high number of world premiere plays including one for the theatre of his birthplace, Manchester's Royal Exchange, a major new play for the Downstairs space at London's Royal Court, and a Chekhov translation for London's Young Vic; a transfer of his West End hit The Curious Incident of the Dog in the Night-Time to Broadway; and projects in Germany, a country which has seen Stephens lauded, in which he has worked extensively, and which has shaped much of his dramaturgy. In addition to these major projects, Stephens continued his role as a mentor of young writers, actors and directors, and continued to be one of the most frequent, outspoken and fiercely intelligent voices of the playwriting scene. In an exceptionally honest account, Simon Stephens opens up to us, through daily diary entries, his working practices, his inner-most thoughts, his philosophy on theatre, the arts and politics, and his feelings and reactions to specific projects he has worked on. Through this, we are given unprecedented access to the mind of one of the most important playwrights of the twenty-first century.

      Simon Stephens: A Working Diary
    • 2016

      Christopher Boone ist fünfzehn Jahre, drei Monate und zwei Tage alt. Er kennt alle Länder und deren Hauptstädte sowie sämtliche Primzahlen bis 7507. Er liebt die Farbe Rot, hasst hingegen Gelb und Braun. Unordnung, Überraschungen und fremde Menschen versetzen ihn in Panik, denn Christopher leidet an einer leichten Form von Autismus. Als aber der Pudel in Nachbars Garten mit einer Mistgabel umgebracht wird, beginnt Christopher, aus seiner fest gefügten, kleinen Welt auszubrechen: Mutig stellt er den schändlichen Verbrecher und erfährt außerdem, was es heißt, in der Welt der Erwachsenen zu leben.

      Supergute Tage oder Die sonderbare Welt des Christopher Boone
    • 2015

      Stephens Plays: 4

      • 336 Seiten
      • 12 Lesestunden

      Four plays inspired by and originating on the European stage from one of Britain's most important playwrights. Three Kingdoms was presented at Teater NO99 in Tallinn, Estonia on 17 September 2011, before opening at the Munich Kammerspiele, Germany, on 15 October 2011. 'An inconsolable mood of dread, abandon, violence and suspicion lurks beneath the show's skin of arty insouciance, and at times the script attains a lyrical pitch of accusation against the West that quite overrides the flippancy. There's something of value here.' Daily Telegraph; The Trial of Ubu premiered at the Schauspielhaus Essen in a co-production with the Toneelgroep Amsterdam. 'The play certainly gets at the banality of evil, and evokes the slow, sometimes dull, often uncertain slog of justice.' Sunday Times. Subtitled 'A Play For Young People', Morning was developed in partnership between the Lyric Hammersmith, London, and the Junges Theater, Göttingen. The Financial Times described it as 'theatrically daring and uncompromising'; Carmen Disruption, a reimagining of Bizet's opera, premiered at the Deutsche Spielhaus in spring, 2014, before its UK premiere at the Almeida, London, in April 2015. 'You can't help but be moved by the circumstances facing the five main characters. There's an understanding and a compassion amid the bleakness. And a fierce sense that something needs to change.' Guardian;

      Stephens Plays: 4
    • 2015

      Song from Far Away

      • 48 Seiten
      • 2 Lesestunden
      3,6(20)Abgeben

      “t was then that I decided to write you these letters. One crisp winter day in New York, Willem receives a phone call – it's time to go home. Home to Amsterdam – to an estranged family and forgotten relationships. As he reflects on his life, unwilling to face the future, he finds himself reaching out to the brother he has lost. This revised edition of Simon Stephens's landmark play, is published to coincide with the revival at HOME Manchester, February 2023, starring Will Young

      Song from Far Away