A moving tale of unlikely friendship and the beauty of nature, set in the wild wetland landscape of the English Fens during World War II Perfect for fans of Atonement, this gorgeous coming of age explores the connection between Philip, a conscientious objector, and Freda, a young London evacuee housed by a cruel family Freda is a twelve-year-old evacuee from East London, who has been sent away at the start of the war, leaving behind everything familiar to her, to escape the expected German bombing. In her new temporary home in Lincolnshire, Freda finds herself billeted with a strange, cold and, ultimately, abusive couple, whose lives mirror the barren landscape in which they live a hand to mouth existence, based upon subsistence farming and poaching. There, deprived of any warmth, she meets a young man - Philip Rhayader -a conscientious objector who has left Oxford and his prospective vocation in the church following a nervous breakdown. Together they explore the wild, beautiful landscape of the Wash, teeming with migrating birds, and nurse an injured goose back to health. As they do so, Philip introduces Freda to the wonders of the natural world and its enduring power to heal.
Sue Hubbard Reihenfolge der Bücher (Chronologisch)
Sue Hubbard ist eine Schriftstellerin, deren Werk tiefgreifend von ihrem Hintergrund als Kunstkritikerin geprägt ist. Sie verwebt geschickt kritische Einblicke in ihre Romane und Gedichte und erforscht die komplexen Verbindungen zwischen Kunst und menschlicher Erfahrung. Ihr Schreiben bietet eine einzigartige Perspektive auf die zeitgenössische Kultur, die sich durch ein scharfes Auge für Details und eine unverwechselbare Stimme auszeichnet, die bei den Lesern Anklang findet.
Mat Collishaw
- 268 Seiten
- 10 Lesestunden
This is the most comprehensive publication on Mat Collishaw's career to date. It features an essay by Sue Hubbard, an interview by Rachel Campbell-Johnston and over 250 colour images spanning more than two decades of work. The artist is a key figure in the important generation of British artists (YBAs) who emerged from Goldsmith's College in the late 1980s. Collishaw's art envelops us in a twilight world poised between the alluring and the revolting, the familiar and the shocking, the poetic and the morbid. With a visual language embracing diverse media, the beauty of Collishaw's work draws us in - seductive, captivating, hypnotic - only to more forcefully repel us as we perceive the darker fantasies within. A repulsion triggered not by what we see, but by our innate response to it. Pornography, the crucifixion, gleaming fairies, syphilitic child prostitutes, bestiality, bondage, addiction, religion, exaltation and despair, even the final hours of a death-row inmate. There is seemingly no taboo left unbroken, no dark corner Collishaw is unwilling to explore - and yet, the work is utterly romantic, exquisitely beautiful, an expression of Collishaw's wish to 'create images that are awe-inspiring'. This book has been published on the occasion of the artist's first ever exhibition of paintings, THIS IS NOT AN EXIT at BlainSouthern, London (14 February - 30 March 2013).