Jo Hamya Bücher

A BOOK OF THE YEAR IN TIME, THE DAILY MAIL, THE INDEPENDENT, GOOD HOUSEKEEPING AND THE ATLANTIC 'Like Edward St Aubyn and Anne Enright, Hamya is so good on generational conflict, the friction of family, and the damage done by charming but complacent men' DAVID NICHOLLS 'A slippery, excellent exploration of sexual politics, creative appropriation, and family dynamics . . . It lands its ending with all the force of a sharp knife hurled at a bullseye' VANITY FAIR Sicily, 2010. Sophia, on the cusp of adulthood, spends a long hot summer with her father, a successful author. Over the course of that holiday, their relationship will fracture. London, 2020. Sophia's father, now 61, sits in a large theatre, surrounded by strangers, watching his daughter's first play. A play that takes that Sicilian holiday as its subject and will force him to watch his purported crimes re-enacted. Set over the course of one climactic day, this is the story of a father and a daughter, of all that divides and binds them. 'Wickedly funny. A perfect novel' SARAH BERNSTEIN 'Brilliant . . . With a precision of language that ought to make Hamya's contemporaries quake and a tenderness you don't see coming' ATLANTIC

A piercing howl of a novel about one young woman's endless quest for an apartment of her own and the aspirations and challenges faced by the millennial generation as it finds its footing in the world, from a shockingly talented debut author "A woman must have money and a room of her own." So said Virginia Woolf in her classic A Room of One's Own, but in this scrupulously observed, gorgeously wrought, debut novel, Jo Hamya pushes that adage powerfully into the twenty-first century, to a generation of people living in rented rooms. What a woman needs now is an apartment of her own, the ultimate mark of financial stability, unattainable for many. Set over the course of one year, Three Rooms follows a young woman as she moves from a rented room at Oxford, where she's working as a research assistant; to a stranger's sofa, all she can afford as a copyediting temp at a society magazine; to her childhood home, where she's been forced to return, jobless, even a room of her own out of reach. As politics shift to nationalism, the streets fill with protestors, and news drip-feeds into her phone, she struggles to live a meaningful life on her own terms, unsure if she'll ever be able to afford to do so.