Duncan Macmillan Bücher

You're six years old. Mum's in hospital. Dad says she's 'done something stupid'. She finds it hard to be happy. So you start to make a list of everything that's brilliant about the world. Everything that's worth living for. 1. Ice Cream 2. Kung Fu Movies 3. Burning Things 4. Laughing so hard you shoot milk out your nose 5. Construction cranes 6. Me You leave it on her pillow. You know she's read it because she's corrected your spelling. Soon, the list will take on a life of its own. A new play about depression and the lengths we will go to for those we love.

A new collection of works from the artist and printmaker Barbara Rae, inspired by the Arctic explorer Dr John Rae and exhibited at the Royal Scottish Academy, Edinburgh, the Pier Arts Centre, Stromness, Orkney, and Canada House, London.

"Macmillan doesn't shy away from difficult questions about addiction and recovery and, rightly, doesn't answer them ... this is a bold, timely and searching play" - Financial Times Emma was having the time of her life. Now she's in rehab. Her first step is to admit that she has a problem. But the problem isn't with Emma, it's with everything else. She needs to tell the truth. But she's smart enough to know that there's no such thing. When intoxication feels like the only way to survive the modern world, how can she ever sober up? People, Places & Things premiered at the National Theatre in 2015 before transferring to London's West End and St. Ann's Warehouse in New York. This edition is published to coincide with the return to the West End in June, 2024

This is the first collection from critically acclaimed playwright Duncan Macmillan, containing the plays Monster, Lungs, 2071, Every Brilliant Thing and People, Places and Things.

Barbara Rae's sketchbooks bring the frozen plains of the Arctic immediately to life.

The ice caps are melting, there's overpopulation, political unrest; everything's going to hell in a handcart - why on earth would someone bring a baby into this world?

This text tells the story of modern Scottish painting and sculpture. It sets out the claim of artists like Macintosh and Fergusson to be partners, not followers in the early modern movement. It traces the impact of the ideas of the Scots Renaissance on the work of painters such as William Godstone, the evolution of a distinct Edinburgh School with Sir William Gillies, Anne Redpath and Sir Robin Philipson. It also details the important place that artists from Scotland such as Joan Eardley, Sir Eduardo Paolozzi and Alan Davie played in the post-war period in Britain. It examines the achievement of Ian Hamilton Finlay, the revolutionary impact of John Bellany's work and finally artists such as Steven Campbell, Ken Currie and others who have marked a new flowering of Scottish art in the 1980s and 1990s.

Book by MacMillan, Duncan