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Bookbot

Susan Rutherford

    Verdi, Opera, Women
    Adventures of Walter Pigeon
    The Prima Donna and Opera, 1815-1930
    The Prima Donna and Opera, 1815 1930
    • 2018

      Adventures of Walter Pigeon

      • 32 Seiten
      • 2 Lesestunden

      Walter, a talented pigeon, dedicates himself to assisting his neighbors and friends. In this heartwarming tale, he uses his skills to aid a homeless pigeon family in their search for a new home, showcasing themes of kindness and community support.

      Adventures of Walter Pigeon
    • 2017

      Verdi, Opera, Women

      • 306 Seiten
      • 11 Lesestunden

      Susan Rutherford explores Verdi's operas in the context of women's social, cultural and political history in nineteenth-century Italy.

      Verdi, Opera, Women
    • 2016

      The Prima Donna and Opera, 1815-1930

      • 394 Seiten
      • 14 Lesestunden
      4,2(6)Abgeben

      Focusing on a collective of working artists rather than a single figure, this book explores the lives of both celebrated and obscure opera singers, examining their professional journeys within a broader historical context. It delves into the social, cultural, and political influences that shaped their experiences and artistic expressions. Key themes include the evolving image of the singer, the role of stage mothers and patrons, vocal training, and the dynamics of the operatic marketplace, alongside an analysis of performance conventions.

      The Prima Donna and Opera, 1815-1930
    • 2009

      The Prima Donna and Opera, 1815 1930

      • 396 Seiten
      • 14 Lesestunden
      4,0(1)Abgeben

      Focusing on the evolution of female opera singers, this book delves into their roles, challenges, and contributions to the art form during the nineteenth and twentieth centuries. It highlights the societal expectations, personal struggles, and artistic triumphs of these women, offering insights into their impact on opera and culture. Through historical context and personal narratives, the text reveals the complexities of their careers and the changing perceptions of female performers in the world of music.

      The Prima Donna and Opera, 1815 1930