Christopher Wood war Großbritanniens führender Schriftsteller und Rundfunksprecher zum Thema viktorianische Kunst. Sein umfangreiches Wissen, das er während seiner dreizehnjährigen Tätigkeit bei Christie's, wo er Direktor für Gemälde des 19. Jahrhunderts wurde, verfeinerte, floss in seine aufschlussreichen Analysen dieser lebendigen Kunstperiode ein. Er bot eine einzigartige Perspektive auf die künstlerische Produktion der Ära und machte komplexe Themen einem breiten Publikum zugänglich.
Verfolgen Sie den Aufstieg und das Erbe der Präraffaeliten und erfahren Sie, wie diese bewunderte britische Kunstbewegung entstand. Dutzende von Reproduktionen belegen die akribische Aufmerksamkeit dieser Maler für die Natur. Über 40 Künstler sind vertreten, darunter Dante Gabriel Rossetti, William Holman Hunt, John Everett Millais, Arthur Hughes, Edward Burne-Jones, John William Waterhouse und Ford Maddox Brown.
Tissot is best known for his pictures of English and French society in the 1860s and 1870s, depicting in minute detail the ravishing costumes, decorative interiors and riverside scenes of the period. This book surveys Tissot's entire career and reveals the tensions and contradictions in his work.
The author discusses the development and characteristics of Victorian painting, setting them within the context of time. He covers the multifarious facets of painting styles, from social realists to fairy painters, whilst not neglecting traditional areas such as marine, landscape, sporting and animal. The various artistic movements- aesthetic, classical, romantic - are all considered. The book combines a study of the two mediums of oil and watercolour in a single volume.
The Life and Works of Sir Edward Burne-Jones (1833-1898)
160 Seiten
6 Lesestunden
The centenary of Burne-Jones' death falls in 1998, and here the career of the greatest of all English romantic painters is reassesed. Throughout his lifelong association with William Morris and the Pre-Raphelites, Burne-Jones became one of the major figure in the late 19th-century art world. Here, for the first time in a quater of a century, his work and legacy will be restored to their rightful position as a major European artist.
An authoritative history of art history from its medieval origins to its modern predicamentsIn this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline.The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline.Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history.-- "Apollo Magazine"
This study explores the evolution and significance of portraiture during the early Renaissance, examining how artists captured individuality and emotion in their subjects. It delves into the cultural and historical contexts that influenced these artworks, highlighting key figures and techniques that defined the era. Through detailed analysis, the book reveals the impact of these portraits on the development of art and society, offering fresh insights into the relationship between the artist, the sitter, and the viewer.
This extensively updated edition offers a comprehensive international review of environmental impact assessment (EIA) practices, comparing systems from various countries, including the USA, UK, Netherlands, Canada, Australia, New Zealand, and newly added South Africa. It serves as an authoritative resource for understanding the diverse approaches to EIA, highlighting the differences and similarities across these regions.