Among twentieth century artists, Frantisek Vizner (b.1936) has defined the meaning of classicism as it applies to art made in glass, a medium much more prone to exageration and Baroque affectation. Beginning in Czechoslovakia in the 1960s and continuing to the present moment in the Czech Republic, he has created a series of vessels that are among the most perfect objects ever made by human hands. The restrained shapes of Vizner's vessels are achieved by a sometimes brutal, sometimes delicate array of room temperature technical processes, most of which are traditional to glassmaking, but some of which would be equally at home in a quarry. He makes a drawing. He selects a raw block of solid glass. He rough shapes that block with grinding stones, diamond tools, drilling and boring technology.
William Warmus Reihenfolge der Bücher (Chronologisch)



Louis Comfort Tiffany
- 112 Seiten
- 4 Lesestunden
Tells the story of Louis Comfort Tiffany and his business in glass lamps, mosaics, vases, and windows, with photographs of many works.
Chihuly over Venice
- 136 Seiten
- 5 Lesestunden
Bound like an artist's sketchbook with a tipped-in image of a Venice Canal, gondola and glass sculpture, "Chihuly over Venice" documents the culmination of this amazing artistic odyssey that took the artist from his Seattle Boathouse hot shop to Nuutajarvi, Finland; Waterford, Ireland; Monterrey, Mexico; and finally Venice. Writer William Warmus chronicles the culmination of this two-year project with his diary entries. Full-color photographs record for readers the installations as they were assembled. An extensive chronology traces the artist's career.