Taylor & Francis Group Reihenfolge der Bücher (Chronologisch)

Energy consumption and production have major influences on the economy, environment, and society, but in return they are also influenced by how the economy is structured, how the social institutions work, and how the society deals with environmental degradation. The need for integrated assessment of the relationship between energy, economy, environment, and society is clear, and this handbook offers an in-depth review of all four pillars of the energy-economy-environment-society nexus. Bringing together contributions from all over the world, this handbook includes sections devoted to each of the four pillars. Moreover, as the financialization of commodity markets has made risk analysis more complicated and intriguing, the sections also cover energy commodity markets and their links to other financial and non-financial markets. In addition, econometric modeling and the forecasting of energy needs, as well as energy prices and volatilities, are also explored. Each part emphasizes the multidisciplinary nature of the energy economics field and from this perspective, chapters offer a review of models and methods used in the literature. The Routledge Handbook of Energy Economics will be of great interest to all those studying and researching in the area of energy economics. It offers guideline suggestions for policy makers as well as for future research.

English keyboard music achieved remarkable sophistication in the late sixteenth and early seventeenth centuries, as organists like William Byrd elevated a genre typically associated with amateur performance to a level of seriousness akin to vocal music. This book compiles significant research on the music, its sources, and the instruments used. Two chapters focus on instruments: John Koster examines the harpsichord's role during this period, while Dominic Gwynn discusses the construction of Tudor-style organs based on existing evidence. This leads to a section on organ performance practice in liturgical settings, where John Harper analyzes the implications of organs pitched in F used alongside vocal polyphony, and Magnus Williamson investigates improvisational practices of the Tudor era. The next section addresses sources and repertoire, starting with Frauke Jörgensen and Rachelle Taylor's exploration of Clarifica me Pater settings, which ties back to improvisation. Further contributions delve into significant manuscript sources: Tihomir Popovic reevaluates My Ladye Nevells Booke in the context of aristocratic culture, and David J. Smith provides an in-depth study of the Fitzwilliam Virginal Book. The discussion expands with Pieter Dirksen's analysis of sources related to John Bull, closely linked to David Leadbetter's work on Gibbons, lute sources, and stylistic questions.