Imelda Staunton Reihenfolge der Bücher (Chronologisch)

A little girl meets a wolf in the forest on her way to visit her grandmother.

Tommi Tatze liebt sein Leben an der Seite des Straßenmusikers Matze. Doch eines Tages bricht sich Matze ein Bein und verschwindet. Für Tommi beginnt ein neues Leben, doch seinen alten Freund kann er nicht vergessen. Eine rührende Geschichte über eine Freundschaft zwischen Mensch und Katze, erzählt in gewitzten Reimen und mit schönen, detailreichen Bildern von Axel Scheffler und Julia Donaldson, den Schöpfern des Grüffelo.

Read and sing along to this story of discovery and friendship. In the tick-tock quiet, a shaft of moonlight tickles the nose of something sleeping. It's a stuffed, stripy horse. He twitches. Then a dusty sneeze echoes round the room. He's awake. So begins this charming story, all about a forgotten toy who can't remember his name. He is befriended by Muriel (a hummingbird who flutters off the pattern on a lamp), Hermann (a daft draught excluder), and Roly and Pitch (penguin-shaped salt and pepper shakers), and embarks on an adventure to meet Ming, a wise and ancient Chinese vase cat, who is the only person in the shop who might be able to tell him who he is. Thrills, spills, and some seriously silly situations await him on his adventure.

Riese Rick hat es satt, der schäbigste Bewohner der Stadt zu sein und kleidet sich neu ein. Dann aber trifft er auf lauter Tiere, die seine Hilfe brauchen – und seine neuen Kleider. Familie Maus zum Beispiel ist überglücklich, als sie in seinem Schuh ein Zuhause findet. Was aber bleibt Riese Rick?

Alison Oddey's interviews with prominent performing women, span generations, cultures, perspectives, practice and the best part of the 20th century, telling various stories collectively. Stand ups, classic actresses, film and television personalities, experimental and alternative practitioners discuss why they want to perform, what motivates them, and how their personal history has contributed to their desires to perform. Oddey's critical and analytical introductory essay examines themes of performers' identities, displacement, acting as playing, differences between theatre, film and television performance, attitudes towards and relationships with audiences, and working with women directors. In several interviews the additional challenge of motherhood emerges as an important subtext in the performing lives of these women.