Joan Littlewood Bücher

Veteran theatre director Joan Littlewood has been responsible for some of the most unconventional theatrical successes of the century, such as Oh What A Lovely War and the plays of Brendan Behan and Shelagh Delaney. In this autobiography she presents an idiosyncratic account of her life, from her birth in South London just after the outbreak of World War I to her years touring with Theatre Workshop, her relationship with Gerry Raffles, and her work with students and actors worldwide.

As the title promises, this helpful volume offers easy access to the abstract principles common to science and mathematics. It eschews technical terms and omits troublesome details in favor of straightforward explanations that will allow scientists to read papers in branches of science other than their own, mathematicians to appreciate papers on topics on which they have no specialized knowledge, and other readers to cultivate an improved understanding of subjects employing mathematical principles. The broad scope of topics encompasses Euclid’s algorithm; congruences; polynomials; complex numbers and algebraic fields; algebraic integers, ideals, and p-adic numbers; groups; the Galois theory of equations; algebraic geometry; matrices and determinants; invariants and tensors; algebras; group algebras; and more."It is refreshing to find a book which deals briefly but competently with a variety of concatenated algebraic topics, that is not written for the specialist," enthused the Journal of the Institute of Actuaries Students’ Society about this volume, adding "Littlewood’s book can be unreservedly recommended."

Physical Theatres: A Critical Reader is an invaluable resource for students of physically orientated theatre and performance. This book aims to trace the roots and development of physicality in theatre by combining practical experience of the field with a strong historical and theoretical underpinning.In exploring the histories, cross-overs and intersections of physical theatres, this critical Reader provides:six new, specially commissioned essays, covering each of the book s main themes, from technical traditions to contemporary practises discussion of issues such as the foregrounding of the body, training and performance processes, and the origins of theatre in both play and human cognition a focus on the relationship and tensions between the verbal and the physical in theatre contributions from Augusto Boal, Stephen Berkoff, tienne Decroux, Bertolt Brecht, David George, J-J. Rousseau, Ana Sanchez Colberg, Michael Chekhov, Jeff Nuttall, Jacques Lecoq, Yoshi Oida, Mike Pearson, and Aristotle.