Das Buch von Lewis Hyde argumentiert, dass Kreativität und Kunst Geschenke sind, die über den ökonomischen Wert hinausgehen. Anhand vielfältiger Beispiele aus verschiedenen Kulturen zeigt er die Auswirkungen der Kommerzialisierung auf Künstler und Kunst sowie die gemeinsamen Einsichten in die Natur des Schöpferischen.
Die These des Buches: Kreativität und Kunst sind Geschenke und keine Waren! Sogar in Zeiten zunehmender Ökonomisierung überdauert mit ihnen etwas Wesentliches, das sich nicht in Heller und Pfenning umrechnen lässt. Anhand zahlreicher Beispiele aus der Anthropologie, der Literatur, der Wirtschaft und der Psychologie zeigt Lewis Hyde zugleich, dass die „Kommerzialisierung des kreativen Geistes“ voranschreitet, und wie sie den Künstler, die Kunst und unsere ganze Kultur prägt. Ob Hyde das Tauschsystem der Trobriand-Inseln heranzieht, die Kreisläufe des Kula-Ringes, ob die Hau-Zeremonie der Maori, das indianische Potlatschritual, schottische Märchen oder Whitmans Dichtung: Immer gelingt es ihm, auf einleuchtende und fesselnde Weise darzulegen, welche Grundeinsichten in die Natur des Schöpferischen bei sonst noch so großen Unterschieden allen Kulturen gemeinsam sind.
“One of our true superstars of nonfiction” (David Foster Wallace), Lewis Hyde offers a playful and inspiring defense of forgetfulness by exploring the healing effect it can have on the human psyche. We live in a culture that prizes memory—how much we can store, the quality of what’s preserved, how we might better document and retain the moments of our life while fighting off the nightmare of losing all that we have experienced. But what if forgetfulness were seen not as something to fear—be it in the form of illness or simple absentmindedness—but rather as a blessing, a balm, a path to peace and rebirth? A Primer for Forgetting is a remarkable experiment in scholarship, autobiography, and social criticism by the author of the classics The Gift and Trickster Makes This World. It forges a new vision of forgetfulness by assembling fragments of art and writing from the ancient world to the modern, weighing the potential boons forgetfulness might offer the present moment as a creative and political force. It also turns inward, using the author’s own life and memory as a canvas upon which to extol the virtues of a concept too long taken as an evil. Drawing material from Hesiod to Jorge Luis Borges to Elizabeth Bishop to Archbishop Desmond Tutu, from myths and legends to very real and recent traumas both personal and historical, A Primer for Forgetting is a unique and remarkable synthesis that only Lewis Hyde could have produced.
Trickster Makes This World solidifies Lewis Hyde's reputation as, in Robert Bly's words, "the most subtle, thorough, and brilliant mythologist we now have." In it, Hyde now brings to life the playful and disruptive side of human imagination as it is embodied in trickster mythology. He first revisits the old stories--Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others--and then holds them up against the life and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Authoritative in its scholarship, loose-limbed in its style, Trickster Makes This World ranks among the great works of modern cultural criticism.
The book presents a compelling argument for the value of cultural commons, emphasizing the collective heritage of art and ideas. Lewis Hyde critiques the modern notion of intellectual property by exploring the views of America's Founding Fathers, including Adams, Madison, and Jefferson. He reveals a historical perspective that values knowledge as a shared resource rather than a commodity owned by individuals, advocating for a more communal approach to creativity and innovation.
Revolution, Art, and Ownership
This title offers a stirring defense of our cultural commons, that vast store of art and ideas we have inherited from the past and continue to enrich in the present. Hyde turns to America's founding fathers in search of other ways to imagine the fruits of human wit and imagination
"We live in a culture that prizes memory--how much we can store, the quality of what's preserved, how we might better document and retain the moments of our life while fighting off the nightmare of losing all that we have experienced. But what if forgetfulness were seen not as something to fear--be it in the form of illness or simple absentmindedness--but rather as a blessing, a balm, a path to peace and rebirth? Lewis Hyde's A Primer for Forgetting is a remarkable experiment in scholarship, autobiography, and social criticism by the author of the classics The Gift and Trickster Makes This World. It forges a new vision of forgetfulness by assembling fragments of art and writing from the ancient world to the modern, weighing the potential boons forgetfulness might offer the present moment as a creative and political force. It also turns inward, using the author's own life and memory as a canvas upon which to extol the virtues of a concept too long taken as an evil. Drawing material from Hesiod to Jorge Luis Borges to Elizabeth Bishop to Archbishop Desmond Tutu, from myths and legends to very real and recent traumas both personal and historical, A Primer for Forgetting is a unique and remarkable synthesis that only Lewis Hyde could have produced."--Page [2] of cover