Michael Bracewell Reihenfolge der Bücher (Chronologisch)

Tim Eitel initiates an exchange between recollection and painting. The work on his pictures, he says, is "a conversation about reality and memory" in which he engages the canvas. In the course of this dialogue, Eitel reflects on personal experiences, creating a standalone figural-abstract reality that needs to be internally consistent-the canvas has a strong will of its own. That makes the scenes depicted in his paintings analogues or afterimages of a situation rather than renditions of it. They are characterized by a certain openness that enables the beholders to inject their own recollections into the pictorial space as well. The dialogue between canvas and artist thus gives way to a colloquy between audience and finished work. Not by coincidence, many of the paintings by Eitel gathered in this catalog show people in museums: these scenes facilitate the leap into the pictorial space. The beholders have experienced a situation like the one shown in the pictures in the past or are experiencing it right now, and so they are already at the heart of the works; they become part of the painting, and the picture becomes a particle of their recollection.

The first novel in twenty years from 'the most under-appreciated of our living fiction writers' (John Burnside)

Celebrated for his witty interpretations of book covers, Harland Miller's artistry merges pop art, abstraction, and figurative elements. This comprehensive monograph spans nearly two decades of his work, showcasing his evolution from classic Penguin appropriations to unique designs. It includes forty new pieces and features essays by prominent art writers that delve into various facets of his creative process. Miller's iconic paintings have garnered a dedicated following, reflecting his significant impact on contemporary art.

A lovesong to London in the early 80s: a pre-computer, pre-digital, pre- mostmodern, New Wave age

The Scottish artist France-Lise McGurn paints on canvases as well as directly on the walls of exhibition spaces, often combining the two to create an immersive experience. In her work she draws on a collected archive of images from films, club flyers and magazines, as well as her own experiences, ranging from life in a city, partying and dreams to motherhood and female sexuality. Bodytronic refers to the rhythmic, the trance and the moving body. Individual body parts float unrestrained across the different surfaces, connecting the canvases with the wall painting they are placed directly on to. The swift brushstrokes and repeated marks spill freely across canvases onto surrounding surfaces, animating the space with suggestions of pleasure, continual motion and the layered quality of contemporary experience. McGurn's archetypal figures suggest both the distance of city life and the strange intimacy of urban connection. The solo exhibition and accompanying publication show a selection of new works that McGurn produced during the COVID-19 lockdown. Confinement has highlighted for her the gap between private and public lives, specifically the response to certain kinds of behaviour.

Published on the occasion of an exhibition held at the National Gallery, London, Nov. 24, 2010-May 22, 2011.

Gilbert and George have become international art stars, exhibiting worldwide since the 1970s. Accompanying the retrospective exhibition of their work—which will travel to America in 2008— Gilbert & George is a unique introduction to these extraordinary artists.The book reproduces previously unpublished installations, drawings, and ephemera and includes original critical essays, an illustrated chronology and a bibliography designed by the artists.EXHIBITION Tate Modern, London, February 13–May 7, 2007de Young, San Francisco, February 15–May 4, 2008Milwaukee Art Museum, Milwaukee, June 6–August 31, 2008Brooklyn Museum, New York, September 2008–January 2009

Merril, manager of the Crypto-Amnesia Club, a trendy London nightclub, is a witness to his customers' pursuit of fashion and fads