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Walter Frisch

    26. Februar 1951
    German modernism
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    • German modernism

      • 332 Seiten
      • 12 Lesestunden
      3,8(11)Abgeben

      In this pioneering study of a pivotal era in the arts, Walter Frisch examines music and its relationship to early modernism in the Austro-German sphere. Seeking to explore the period on its own terms, he questions the common assumption that works created from the later 1870s through World War I were transitional between late romanticism and high modernism. Drawing on a wide range of examples across different media, he establishes a cultural and intellectual context for late Richard Wagner, Richard Strauss, Gustav Mahler

      German modernism