Andrea Ferrari Bücher

Suitable for reef divers wishing to identify, photograph or learn about the myriad of fascinating creatures who inhabit the world's tropical reefs and mangroves, this work includes 1200 concise descriptions accompanied by detailed photographs, facilitating the identification of species.

A photographer's compilation of the rich materiality of science photography Andrea Ferrari’s (born 1970) new book By Means of the Sun compiles analogue and digital images taken or simply selected by Ferrari, that were made for scientific or creative purposes, and were produced by a camera or by direct chemical modification of the film, as well as drawings that, through the mediation of the lens, themselves turn into photographs.This book deftly reflects the current state of photography, one that is postdigital and postmodern, omnivorous and protean. Beginning with the work of William Henry Fox Talbot, to whom this project is dedicated, Ferrari’s wide-ranging sequence of images touches on themes as vast as the beginnings of photography and the origin of the world, drawing as a link between image and writing, and the egg as an archetypal form.

Wild Window is Andrea Ferrari's personal cabinet of curiosities, a collection of photos of taxidermy animals, shells, eggs and coral that explores the gaze as a universal trait shared by both humans and animals. In its format and design Wild Window recalls a naturalist's notebook full of wonderful creatures observed on an imaginary journey to exotic lands. The book thus shows our age-old desire to record and classify nature, as well our passion for re-living it through studying specimens of flora and fauna. Yet Ferrari's vision is far from impersonal or scientific. He arranges his photos in a loose grid rich with ambivalence and associations, and colors many images a soft, muted pink that references the familiar hue of human skin. In Ferrari's hands nature is an interaction where creatures observe us as we observe them, and we weave intuitive narrative connections between all that we see. Ferrari ... deliberately reverts to ambiguity and evokes what is not present in the image to recall the experience of vision and its consequences for knowledge and interpreting the world... This throws the cycle into a new dimension, that of cosmogony, of being able to re-create a world from its images and figures. Walter Guadagnini

Francisco Méndez tiene catorce años, una inteligencia extraordinaria y una pasión: los libros de Sherlock Holmes. No solo sabe más que nadie sobre este, sino que razona como él. Sus familiares y amigos esperan que su brillo intelectual lo vuelva célebre, pero esas expectativas agobian a Francisco, que duda de sí mismo. Tres extraños asesinatos de mujeres en su barrio le servirán de prueba y lo conducirán por un camino fascinante.

Los Herrera son una familia de Buenos Aires que pasa por graves apuros económicos y deciden mudarse a Las Flores, en plena Patagonia, un lugar despoblado y falto de recursos. ¿Hasta qué punto cambiará la vida del pueblo? Estupenda historia que muestra la importancia de la unión y la cohesión del grupo para conseguir objetivos.

Nada. El hombre que acaba de irrumpir en la redacción del periódico apenas recuerda nada, solo unos gritos, un estruendo y que alguien lo persigue. Con estas pistas tan vagas, Santiago, un aprendiz de 17 años, tendrá que bucear en el misterio que rodea a este desconocido, reconstruir su historia y, de paso, demostrar a sus jefes que tiene madera de periodista.

Milano, 1973. Sono gli anni della grande industria cinematografica italiana, dell'Austerity, della cronaca nera prestata alla politica, della criminalità da far west, della Polizia con le mani legate, dell'imprenditoria gangster, delle grandi penne del giornalismo. Travolti da questi sconvolgimenti epocali e dalla sfortuna del quotidiano, un funambolo della pubblicità col vizio del gioco contrae un debito di troppo, un oste milanese dalle mani grandi fronteggia lo sfratto della bocciofila che gestisce, un fiorista ciociaro raccoglie i frantumi del proprio chiosco devastato dagli stuntmen di un film con Alain Delon. La morte di un loro vecchio collega, di quando scavavano i tunnel della metropolitana, li riunisce al cimitero. Da qui in poi, il terzetto ne penserà di ogni per risolvere i guai di ciascuno, fino a scegliere di mettere in pratica la più assurda delle idee: rubare il simbolo più alto di Milano, per riscattare i soldi e se stessi. Da un'idea di Luca Crovi, un noir a tre penne, una commedia che al sorriso combina la tensione drammatica ed emotiva dell'Italia degli anni Settanta, gli anni che ci hanno insegnato che l'assurdo non è una sciocchezza, ma l'impossibile che si fa reale.

Florencia tiene doce años y confecciona listas para ordenar sus preocupaciones y prioridades. Ante la inexplicable ausencia de su padre, un día toma una importantísima decisión que transformará su convertirse en estatua viviente.