Cézanne at the Tate

Focusing on the major Cézanne exhibition at the Tate Gallery in 1995, the review contextualizes the event by examining its institutional presentation and the social dynamics of its audience. Through a reflective journey of the exhibition, it captures the interactions of media professionals and their responses to the artwork. The essay also discusses the formation of the exhibition catalogue and includes additional essays on Impressionism and Post-Impressionism, featuring studies of artists like Gauguin and Pierre Bonnard.