Humanism, Drama, and Performance

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Exploring the intersection of theatre and humanism, this book delves into how various ideologies have shaped theatrical performance from Aristotle to the present. It analyzes the critical frameworks that have influenced the development of theatre, drama, and performance studies, highlighting the ongoing relevance of these themes in contemporary discourse. Through a historical lens, it reveals the enduring impact of humanist thought on the evolution of theatrical practices and critical interpretations.