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- 416 Seiten
- 15 Lesestunden
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The Barnes & Noble Review David Lee Roth said that the beauty of rock and roll is that "they're no rules and no schools. You just make it up as you go along." Certainly, the history of the plugged-in genre seems more like a mad romp than a logical development. James Miller sets out here to capture the evolution of early R&R as an industry and as a force in American life. Without descending into diatribe or veering towards critical theory, this former Michel Foucault biographer writes about the metamorphosis of casual basement jamming into a sometimes devious multi-million dollar business. Strewn along the way are epiphanies of music history: Bob Dylan turning the Beatles onto marijuana at their first meeting in 1964; Berry Gordy producing his first big hit by instructing Jackie Wilson to imitate Elvis Presley; the less-than-endearing first appearance of the Sex Pistols on British TV. Both literate and unpretentious, Miller catches the frantic surrealism of the rock scene. As Jerry Garcia said, "By comparison, real life is very dull." Jules Herbert
Buchkauf
Flowers in the Dustbin, James Miller
- Sprache
- Erscheinungsdatum
- 2000
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- Titel
- Flowers in the Dustbin
- Untertitel
- The Rise of Rock and Roll, 1947-1977
- Sprache
- Englisch
- Autor*innen
- James Miller
- Verlag
- Touchstone
- Erscheinungsdatum
- 2000
- Einband
- Paperback
- Seitenzahl
- 416
- ISBN10
- 0684865602
- ISBN13
- 9780684865607
- Reihe
- Schlagwörter
- Sachbücher, Musikalische Thematik, Kultur und Gesellschaft, Journalismus, Geschichte der USA
- Beschreibung
- The Barnes & Noble Review David Lee Roth said that the beauty of rock and roll is that "they're no rules and no schools. You just make it up as you go along." Certainly, the history of the plugged-in genre seems more like a mad romp than a logical development. James Miller sets out here to capture the evolution of early R&R as an industry and as a force in American life. Without descending into diatribe or veering towards critical theory, this former Michel Foucault biographer writes about the metamorphosis of casual basement jamming into a sometimes devious multi-million dollar business. Strewn along the way are epiphanies of music history: Bob Dylan turning the Beatles onto marijuana at their first meeting in 1964; Berry Gordy producing his first big hit by instructing Jackie Wilson to imitate Elvis Presley; the less-than-endearing first appearance of the Sex Pistols on British TV. Both literate and unpretentious, Miller catches the frantic surrealism of the rock scene. As Jerry Garcia said, "By comparison, real life is very dull." Jules Herbert