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Dance, Spectacle, and the Body Politick, 1250-1750

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  • 375 Seiten
  • 14 Lesestunden

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From the mid-13th to the mid-18th century the ability to dance was an important social skill for both men and women. Dance performances were an integral part of court ceremonies and festivals and, in the 17th and 18th centuries, of commercial theatrical productions. Whether at court or in the public theater danced spectacles were multimedia events that required close collaboration among artists, musicians, designers, engineers, and architects as well as choreographers. In order to fully understand these practices, it is necessary to move beyond a consideration of dance alone, and to examine it in its social context. This original collection brings together the work of 12 scholars from the disciplines of dance and music history. Their work presents a picture of dance in society from the late medieval period to the middle of the 18th century and demonstrates how dance practices during this period participated in the intellectual, artistic, and political cultures of their day.

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Dance, Spectacle, and the Body Politick, 1250-1750, Jennifer Nevile

Sprache
Erscheinungsdatum
2008
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Titel
Dance, Spectacle, and the Body Politick, 1250-1750
Sprache
Englisch
Autor*innen
Jennifer Nevile
Erscheinungsdatum
2008
Einband
Paperback
Seitenzahl
375
ISBN10
025321985X
ISBN13
9780253219855
Reihe
Schlagwörter
Beschreibung
From the mid-13th to the mid-18th century the ability to dance was an important social skill for both men and women. Dance performances were an integral part of court ceremonies and festivals and, in the 17th and 18th centuries, of commercial theatrical productions. Whether at court or in the public theater danced spectacles were multimedia events that required close collaboration among artists, musicians, designers, engineers, and architects as well as choreographers. In order to fully understand these practices, it is necessary to move beyond a consideration of dance alone, and to examine it in its social context. This original collection brings together the work of 12 scholars from the disciplines of dance and music history. Their work presents a picture of dance in society from the late medieval period to the middle of the 18th century and demonstrates how dance practices during this period participated in the intellectual, artistic, and political cultures of their day.