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Fantastic Women

Surreal Worlds from Meret Oppenheim to Louise Bourgeois

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Founded by French writer André Breton in 1924, surrealism emerged as a cultural movement that challenged the imagination through visual art and literature. While often associated with prominent male figures like Salvador Dali and Rene Magritte, many talented women artists have been overlooked. This work seeks to illuminate the contributions of female surrealists, presenting a vital perspective on this avant-garde movement. Although many women were seen merely as partners or models within Breton's circle, they played significant roles that have been historically minimized. Male surrealists often depicted women in stereotypical roles—goddesses, she-devils, or nymphets—while their female counterparts explored the complexities of gender roles and societal expectations. Their art critiqued the female image and sought to redefine women's identities for future generations. In true surrealist fashion, this work showcases their imaginative engagement with themes such as politics, literature, and mythology. Featuring 350 color plates, it highlights a diverse array of artworks, including paintings, drawings, photography, and films, making a compelling case for the recognition and celebration of the surreal and innovative contributions of women artists in the avant-garde movement.

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Fantastic Women, Ingrid Pfeiffer

Sprache
Erscheinungsdatum
2020
Einband
(Hardcover)
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Titel
Fantastic Women
Untertitel
Surreal Worlds from Meret Oppenheim to Louise Bourgeois
Sprache
Englisch
Autor*innen
Ingrid Pfeiffer
Verlag
Hirmer
Erscheinungsdatum
2020
Einband
Hardcover
Seitenzahl
420
ISBN10
3777434140
ISBN13
9783777434148
Reihe
Beschreibung
Founded by French writer André Breton in 1924, surrealism emerged as a cultural movement that challenged the imagination through visual art and literature. While often associated with prominent male figures like Salvador Dali and Rene Magritte, many talented women artists have been overlooked. This work seeks to illuminate the contributions of female surrealists, presenting a vital perspective on this avant-garde movement. Although many women were seen merely as partners or models within Breton's circle, they played significant roles that have been historically minimized. Male surrealists often depicted women in stereotypical roles—goddesses, she-devils, or nymphets—while their female counterparts explored the complexities of gender roles and societal expectations. Their art critiqued the female image and sought to redefine women's identities for future generations. In true surrealist fashion, this work showcases their imaginative engagement with themes such as politics, literature, and mythology. Featuring 350 color plates, it highlights a diverse array of artworks, including paintings, drawings, photography, and films, making a compelling case for the recognition and celebration of the surreal and innovative contributions of women artists in the avant-garde movement.