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Graham Foundation / MIT Press Series in Contemporary Architectural Discourse: The Cultivated Wilderness

Or, What Is Landscape?

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Paul Shepheard's previous work focused on creating tangible elements like landscapes, buildings, and machines. In this book, he explores the landscapes themselves and the strategies that shape them. The author emphasizes the importance of seeing larger patterns, asserting that every architectural decision is influenced by its landscape context. For instance, Norman England was designed as a network of strong points for occupation, while the grid cities of the New World exemplify a strategy rooted in reason. Currently, our approach revolves around the economic exploitation of the Earth, obscuring alternative possibilities for interacting with the landscape. Through a series of first-person narratives, Shepheard examines six landscapes, ranging from the seven wonders of the ancient world to the devastation of World War I's Western Front. His engaging style invites readers on a journey through these varied terrains, encountering diverse people and places along the way. As we reflect on a century that sought an ideal landscape but never achieved it, Shepheard presents this work as a contribution to rethinking our profit-driven relationship with the land. Important Notice: The digital edition lacks some images found in the physical edition.

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Graham Foundation / MIT Press Series in Contemporary Architectural Discourse: The Cultivated Wilderness, Paul Shepheard

Sprache
Erscheinungsdatum
1997
Einband
(Paperback)
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Titel
Graham Foundation / MIT Press Series in Contemporary Architectural Discourse: The Cultivated Wilderness
Untertitel
Or, What Is Landscape?
Sprache
Englisch
Autor*innen
Paul Shepheard
Verlag
MIT Press
Erscheinungsdatum
1997
Einband
Paperback
Seitenzahl
249
ISBN10
0262691949
ISBN13
9780262691949
Reihe
Bewertung
3,65 von 5 Sternen
Beschreibung
Paul Shepheard's previous work focused on creating tangible elements like landscapes, buildings, and machines. In this book, he explores the landscapes themselves and the strategies that shape them. The author emphasizes the importance of seeing larger patterns, asserting that every architectural decision is influenced by its landscape context. For instance, Norman England was designed as a network of strong points for occupation, while the grid cities of the New World exemplify a strategy rooted in reason. Currently, our approach revolves around the economic exploitation of the Earth, obscuring alternative possibilities for interacting with the landscape. Through a series of first-person narratives, Shepheard examines six landscapes, ranging from the seven wonders of the ancient world to the devastation of World War I's Western Front. His engaging style invites readers on a journey through these varied terrains, encountering diverse people and places along the way. As we reflect on a century that sought an ideal landscape but never achieved it, Shepheard presents this work as a contribution to rethinking our profit-driven relationship with the land. Important Notice: The digital edition lacks some images found in the physical edition.