Bookbot

Klaus Ottmann

    Hiroshi Sugimoto
    Jennifer Bartlett & Pierre Bonnard
    Der Sprung in die Leere, 1960: Ein Bild und seine Geschichte
    • An exploration of two artists' creative dialogue with gardens and nature: French post-impressionist painter Pierre Bonnard (1867-1947) and contemporary American artist Jennifer Bartlett (b. 1941).

      Jennifer Bartlett & Pierre Bonnard2020
      4,5
    • Hiroshi Sugimoto

      • 96 Seiten
      • 4 Lesestunden

      The meticulous photographic practice of Japanese artist Hiroshi Sugimoto (*1948 in Tokyo) is like that of a painter’s. Inspired both by Marcel Duchamp’s obsession with the mechanics of space and the mathematical foundations of his works and Man Ray’s photographs of nineteenth-century mathematical models, Sugimoto photographed similar models at the University of Tokyo, creating starkly beautiful images, printed larger than life to invoke monumental Greek sculpture or architecture. This is the first publication to compare and contrast Sugimoto’s mathematical photographs with his own aluminum or stainless-steel mathematical models crafted with computer-controlled, precision milling machines. Exhibition: The Phillips Collection, Washington, D. C., February 7–May 10, 2015

      Hiroshi Sugimoto2015