York Notes - 231: Notes on The Pilgrim's Progress
- 80 Seiten
- 3 Lesestunden






A dramatization in verse of the murder of Thomas Becket at Canterbury. “The theatre as well as the church is enriched by this poetic play of grave beauty and momentous decision” (New York Times). “Within its limits the play is a masterpiece.... Mr. Eliot has written no better poem than this and none which seems simpler” (Mark Van Doren, The Nation).
The Arden Shakespeare is the established scholarly edition of Shakespeare's work. Justly celebrated for its authoritative scholarship and invaluable commentary, Arden guides you a richer understanding and appreciation of Shakespeare's plays.This edition of Measure for Measure provides, a clear and authoritative text, detailed notes and commentary on the same page as the text, a full introduction discussing the critical and historical background to the play and appendices presenting sources and relevant extracts.Offering a wealth of helpful and incisive commentary, the Arden Shakespeare is the finest edition of Shakespeare you can find.
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Jimmy Porter plays trumpet badly. He browbeats his flatmate, terrorizes his wife, and is not above sleeping with her best friend-who loathes Jimmy almost as much as he loathes himself. Yet this working-class Hamlet, the original Angry Young Man, is one of the most mesmerizing characters ever to burst onto a stage, a malevolently vital, volcanically articulate internal exile in the dreary, dreaming Siberia of postwar England. First produced in 1956, Look Back in Anger launched a revolution in the English theater. Savagely, sadly, and always impolitely, it compels readers and audiences to acknowledge the hidden currents of rottenness and rage in what used to be called "the good life."
The emotional tale of Little Nell and her doting grandfather was an immediate popular success in 1840-41. Played out against the backdrop of a cold and brutal London, the twosome abandon their home to escape debt and roam the countryside as beggars. Dickens' tale brims with pathos and villainy.
A seminal work of twentieth-century drama, Waiting for Godot was Samuel Beckett's first professionally produced play. It opened in Paris in 1953 at the tiny Left Bank Theatre de Babylone, and has since become a cornerstone of twentieth-century theater. The story line revolves around two seemingly homeless men waiting for someone-or something-named Godot. Vladimir and Estragon wait near a tree on a barren stretch of road, inhabiting a drama spun from their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as a somber summation of mankind's inexhaustible search for meaning. Beckett's language pioneered an expressionistic minimalism that captured the existentialism of post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.