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Peace Kills

America's Fun New Imperialism

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P. J. O'Rourke explores the complexities of modern conflict and intervention. In Kosovo, he reflects on America's delayed responses to injustice, humorously noting, "Wherever there's injustice, oppression, and suffering, America will show up six months late and bomb the country next to where it's happening." His journey takes him to Israel during the intifada, where he muses on the implications of people returning to ancestral homes after long absences, a scenario familiar to many parents. In Egypt post-9/11, he grapples with the question of why the Middle East seems chaotic, suggesting that such behavior has roots in humanity's early days. O'Rourke also critiques the influence of French culture on global morality, observing that whatever direction France points—be it toward collaboration with Nazis or existentialism—others can feel justified in choosing the opposite path. His travels culminate in Baghdad, where he stands in one of Saddam's palaces and quips that "felony interior decorating" could justify the invasion. Through humor and keen observation, O'Rourke offers a unique perspective on the absurdities of war and the complexities of international relations.

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Peace Kills, P. J. O'Rourke

Sprache
Erscheinungsdatum
2004
Einband
(Hardcover),
Buchzustand
Gebraucht - Gut
Preis
€ 8,99

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Titel
Peace Kills
Untertitel
America's Fun New Imperialism
Sprache
Englisch
Autor*innen
P. J. O'Rourke
Erscheinungsdatum
2004
Einband
Hardcover
Seitenzahl
320
ISBN10
0871139197
ISBN13
9780871139191
Reihe
Bewertung
3,45 von 5 Sternen
Beschreibung
P. J. O'Rourke explores the complexities of modern conflict and intervention. In Kosovo, he reflects on America's delayed responses to injustice, humorously noting, "Wherever there's injustice, oppression, and suffering, America will show up six months late and bomb the country next to where it's happening." His journey takes him to Israel during the intifada, where he muses on the implications of people returning to ancestral homes after long absences, a scenario familiar to many parents. In Egypt post-9/11, he grapples with the question of why the Middle East seems chaotic, suggesting that such behavior has roots in humanity's early days. O'Rourke also critiques the influence of French culture on global morality, observing that whatever direction France points—be it toward collaboration with Nazis or existentialism—others can feel justified in choosing the opposite path. His travels culminate in Baghdad, where he stands in one of Saddam's palaces and quips that "felony interior decorating" could justify the invasion. Through humor and keen observation, O'Rourke offers a unique perspective on the absurdities of war and the complexities of international relations.