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Dirty Pictures: How an Underground Network of Nerds, Feminists, Bikers, Potheads, Intellectuals, and Art School Rebels R

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"In the 1950s, comics meant POW! BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their "comix," spelled that way to distinguish the work from their dime-store contemporaries, presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips was printed on out-of-date machinery, published in zines and underground newspapers, and distributed in head shops, in porno stores, and on street corners. Comix often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries."-- Amazon.com

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Dirty Pictures: How an Underground Network of Nerds, Feminists, Bikers, Potheads, Intellectuals, and Art School Rebels R, Brian O’Doherty

Sprache
Erscheinungsdatum
2022
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(Hardcover)
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Titel
Dirty Pictures: How an Underground Network of Nerds, Feminists, Bikers, Potheads, Intellectuals, and Art School Rebels R
Sprache
Englisch
Verlag
Abrams
Erscheinungsdatum
2022
Einband
Hardcover
Seitenzahl
352
ISBN10
1419750461
ISBN13
9781419750465
Reihe
Bewertung
4,05 von 5 Sternen
Beschreibung
"In the 1950s, comics meant POW! BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their "comix," spelled that way to distinguish the work from their dime-store contemporaries, presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips was printed on out-of-date machinery, published in zines and underground newspapers, and distributed in head shops, in porno stores, and on street corners. Comix often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries."-- Amazon.com