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The Dark Brain of Piranesi and Other Essays

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  • 208 Seiten
  • 8 Lesestunden

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Those who love Marguerite Yourcenar as a novelist will find in her essays the same unusual ability to immerse herself in time to understand the spirit of past eras; or to penetrate "with open eyes" into the inner world of illustrious characters, to discover the intimate motivations behind their historical or creative acts. The essay on Rome during the decadent period, viewed through the lens of the Augustan Chronicle, and the one on the châteaux of Chenonceaux could serve as the basis for historical novels akin to Memoirs of Hadrian. The other studies in this volume seem to be, at least in part, the files of possible biographical novels. Their characters include Agrippa d'Aubigné, a French Renaissance poet and faithful witness of the Reformation; Piranesi, the 18th-century Italian architect and engraver, in whose imaginary prisons one can recognize the universe populated with the fantasies of the human brain; and finally, three important names in modern literature: Selma Lagerlöf, one of the few women among truly great novelists; Constantin Cavafy, the famous poet of modern Greece, whose poems draw from the inexhaustible material of the past; and Thomas Mann, whose work, upon closer inspection, claims its roots in the ancient hermetic tradition that posits that knowledge of the world is only possible "under the aspect of interiority."

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The Dark Brain of Piranesi and Other Essays, Marguerite Yourcenar

Sprache
Erscheinungsdatum
1984
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Titel
The Dark Brain of Piranesi and Other Essays
Sprache
Englisch
Erscheinungsdatum
1984
Einband
Hardcover
Seitenzahl
208
ISBN10
0856281409
ISBN13
9780856281402
Reihe
Bewertung
4 von 5 Sternen
Beschreibung
Those who love Marguerite Yourcenar as a novelist will find in her essays the same unusual ability to immerse herself in time to understand the spirit of past eras; or to penetrate "with open eyes" into the inner world of illustrious characters, to discover the intimate motivations behind their historical or creative acts. The essay on Rome during the decadent period, viewed through the lens of the Augustan Chronicle, and the one on the châteaux of Chenonceaux could serve as the basis for historical novels akin to Memoirs of Hadrian. The other studies in this volume seem to be, at least in part, the files of possible biographical novels. Their characters include Agrippa d'Aubigné, a French Renaissance poet and faithful witness of the Reformation; Piranesi, the 18th-century Italian architect and engraver, in whose imaginary prisons one can recognize the universe populated with the fantasies of the human brain; and finally, three important names in modern literature: Selma Lagerlöf, one of the few women among truly great novelists; Constantin Cavafy, the famous poet of modern Greece, whose poems draw from the inexhaustible material of the past; and Thomas Mann, whose work, upon closer inspection, claims its roots in the ancient hermetic tradition that posits that knowledge of the world is only possible "under the aspect of interiority."