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A Revived Modern Classic: The Illustrious House of Ramires

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"Eça de Queiros (1845-1900) ought to be," as the London Observer stated, "up there with Balzac, Dickens, and Tolstoy as one of the talismanic names of the nineteenth century." His superlative penultimate novel, The Illustrious House of Ramires (1900) centers on Gonçalo Ramires, heir to the most noble family of Portugal. Gonçalo, charming but disastrously effete, muddles through his life while writing a historical novel based on the heroic deeds of his ancestors. "The record of their valour is ironically counterpointed by his own chicanery. A combination of Don Quixote and Walter Mitty, he is continually humiliated [but he] is at the same time kindhearted .... Ironic comedy is the keynote of the novel .... Eça de Queiros has justly been compared with Flaubert and Stendhal."( The London Spectator )

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A Revived Modern Classic: The Illustrious House of Ramires, José Maria de Eça de Queirós, V. S. Pritchett, Anne Stevens

Sprache
Erscheinungsdatum
1994
Einband
(Paperback),
Buchzustand
Beschädigt
Preis
€ 7,33

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Titel
A Revived Modern Classic: The Illustrious House of Ramires
Sprache
Englisch
Erscheinungsdatum
1994
Einband
Paperback
Seitenzahl
324
ISBN10
0811212645
ISBN13
9780811212649
Reihe
Beschreibung
"Eça de Queiros (1845-1900) ought to be," as the London Observer stated, "up there with Balzac, Dickens, and Tolstoy as one of the talismanic names of the nineteenth century." His superlative penultimate novel, The Illustrious House of Ramires (1900) centers on Gonçalo Ramires, heir to the most noble family of Portugal. Gonçalo, charming but disastrously effete, muddles through his life while writing a historical novel based on the heroic deeds of his ancestors. "The record of their valour is ironically counterpointed by his own chicanery. A combination of Don Quixote and Walter Mitty, he is continually humiliated [but he] is at the same time kindhearted .... Ironic comedy is the keynote of the novel .... Eça de Queiros has justly been compared with Flaubert and Stendhal."( The London Spectator )