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De man in jasmijn. Indrukken uit een geestesziekte

indrukken uit een geestesziekte

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  • 126 Seiten
  • 5 Lesestunden

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In 1970, Unica Zurn, companion to Surrealist artist Hans Bellmer, tragically ended her life by jumping from their Paris apartment. Her suicide marked the peak of thirteen years of mental turmoil, vividly chronicled in The Man Of Jasmine, subtitled Impressions from a Mental Illness. Zurn's decline began when she met her childhood fantasy figure, "the man of jasmine," Henri Michaux. This encounter plunged her into hallucinations filled with desires, anxieties, and unresolved past events, disrupting her grasp on reality with alternating visionary and depressive episodes. Her narrative reveals a complex relationship with language, which she sought to navigate through compulsive anagram writing. These anagrams allowed her to dissect everyday language, uncovering hidden messages and evocations that reflected her inner turmoil. They served as a lens for understanding the divide between her inner and outer worlds. While The Man of Jasmine stands as a profound account of mental collapse, it transcends this, showcasing Zurn's engagement with Surrealist ideas and her remarkable clarity during distressing experiences. Her vivid descriptions elevate the work to a literary and psychological masterpiece.

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De man in jasmijn. Indrukken uit een geestesziekte, Unica Zürn

Sprache
Erscheinungsdatum
1987
Einband
(Paperback)
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Titel
De man in jasmijn. Indrukken uit een geestesziekte
Untertitel
indrukken uit een geestesziekte
Sprache
Niederländisch
Autor*innen
Unica Zürn
Erscheinungsdatum
1987
Einband
Paperback
Seitenzahl
126
ISBN10
9029021624
ISBN13
9789029021623
Reihe
Kategorien
Bewertung
4,25 von 5 Sternen
Beschreibung
In 1970, Unica Zurn, companion to Surrealist artist Hans Bellmer, tragically ended her life by jumping from their Paris apartment. Her suicide marked the peak of thirteen years of mental turmoil, vividly chronicled in The Man Of Jasmine, subtitled Impressions from a Mental Illness. Zurn's decline began when she met her childhood fantasy figure, "the man of jasmine," Henri Michaux. This encounter plunged her into hallucinations filled with desires, anxieties, and unresolved past events, disrupting her grasp on reality with alternating visionary and depressive episodes. Her narrative reveals a complex relationship with language, which she sought to navigate through compulsive anagram writing. These anagrams allowed her to dissect everyday language, uncovering hidden messages and evocations that reflected her inner turmoil. They served as a lens for understanding the divide between her inner and outer worlds. While The Man of Jasmine stands as a profound account of mental collapse, it transcends this, showcasing Zurn's engagement with Surrealist ideas and her remarkable clarity during distressing experiences. Her vivid descriptions elevate the work to a literary and psychological masterpiece.