The Acoustic World of Early Modern England

Exploring the auditory experience of Shakespeare's plays, this book delves into the sounds that permeated the Globe Theater in 1599. It examines the significance of these sounds within the context of early modern England's largely oral culture, offering insights into how audiences would have interpreted and engaged with the performances. By reconstructing the auditory landscape of the time, the author reveals the deeper meanings and cultural implications of the sounds that accompanied Shakespeare's works.