The Beauty of Inflections
Literary Investigations in Historical Method and Theory (Clarendon Paperbacks)
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- 352 Seiten
- 13 Lesestunden
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With emphasis on the theoretical and methodological, the studies collected here serve a dual purpose: to explore the fault lines that mark various kinds of ahistorical literary studies from New Criticism to Poststructuralism; and to develop a fully elaborated socio-historical criticism for literary works. McGann moves toward his goal by means of four special sets of investigations: the relation between the so-called "autonomous" poem and its political/historical contexts; the relation of reception and history to literary interpretation; the problems of canon and the characterization of period; and the ideological dimensions of both literary works and criticism of such works. Central to his enquiry is the notion that, whether viewed as an experience or as an event, a literary work is a nexus of various concrete social determinations that can be specified as an aesthetic order.
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The Beauty of Inflections, Jerome J. McGann
- Sprache
- Erscheinungsdatum
- 1985
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- Titel
- The Beauty of Inflections
- Untertitel
- Literary Investigations in Historical Method and Theory (Clarendon Paperbacks)
- Sprache
- Englisch
- Autor*innen
- Jerome J. McGann
- Verlag
- Oxford University Press
- Erscheinungsdatum
- 1985
- Einband
- Paperback
- Seitenzahl
- 352
- ISBN10
- 0198117507
- ISBN13
- 9780198117506
- Reihe
- Schlagwörter
- Sachbücher, Sozialwissenschaften, Literaturwissenschaft, Großbritannien, Europa, Literarische Kritik, Irland, Bücher, Kritik, Literaturtheorie
- Bewertung
- 3,6 von 5 Sternen
- Beschreibung
- With emphasis on the theoretical and methodological, the studies collected here serve a dual purpose: to explore the fault lines that mark various kinds of ahistorical literary studies from New Criticism to Poststructuralism; and to develop a fully elaborated socio-historical criticism for literary works. McGann moves toward his goal by means of four special sets of investigations: the relation between the so-called "autonomous" poem and its political/historical contexts; the relation of reception and history to literary interpretation; the problems of canon and the characterization of period; and the ideological dimensions of both literary works and criticism of such works. Central to his enquiry is the notion that, whether viewed as an experience or as an event, a literary work is a nexus of various concrete social determinations that can be specified as an aesthetic order.