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Living on the seamier side of New York in 1941, Robert Grant is a middle-aged man to whom life is a game in which he makes his own rules. This is no more evident than in the pursuit of his only hobby: the search for, seduction and betrayal of women. His targets are always 'easy', the cheaper the better. He is constantly on the lookout for a new face, a new phone number, 'a little tea, a little chat'. While Grant gets a certain thrill from his intrigues, he receives little pleasure - and gives none, until he meets Barbara, the 'blondine', a large, goodlooking but sluttish woman of thirty-two. In Barbara, he meets his match. First published in 1948, A Little Tea, A Little Chat provides an irresistible, sardonic commentary on men and women on the make whose sexual appetites wickedly mirror the materialism of wartime America.
Buchkauf
Virago Modern Classics: A Little Tea, a Little Chat, Hilary Bailey, Christina Stead
- Sprache
- Erscheinungsdatum
- 1981,
- Buchzustand
- Gebraucht - Gut
- Preis
- € 21,49
Keiner hat bisher bewertet.
- Titel
- Virago Modern Classics: A Little Tea, a Little Chat
- Sprache
- Englisch
- Autor*innen
- Hilary Bailey, Christina Stead
- Verlag
- Virago modern classics
- Erscheinungsdatum
- 1981
- Seitenzahl
- 408
- ISBN10
- 0860681769
- ISBN13
- 9780860681762
- Reihe
- Kategorien
- Schlagwörter
- Australien
- Beschreibung
- Living on the seamier side of New York in 1941, Robert Grant is a middle-aged man to whom life is a game in which he makes his own rules. This is no more evident than in the pursuit of his only hobby: the search for, seduction and betrayal of women. His targets are always 'easy', the cheaper the better. He is constantly on the lookout for a new face, a new phone number, 'a little tea, a little chat'. While Grant gets a certain thrill from his intrigues, he receives little pleasure - and gives none, until he meets Barbara, the 'blondine', a large, goodlooking but sluttish woman of thirty-two. In Barbara, he meets his match. First published in 1948, A Little Tea, A Little Chat provides an irresistible, sardonic commentary on men and women on the make whose sexual appetites wickedly mirror the materialism of wartime America.


