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Martin Scorsese

    17. November 1942

    Martin Scorsese ist ein amerikanischer Filmregisseur, Drehbuchautor und Produzent, dessen Werk sich mit Themen wie italienisch-amerikanischer Identität, römisch-katholischen Konzepten von Schuld und Erlösung, Machismo und dem in der amerikanischen Gesellschaft endemischen Gewalt auseinandersetzt. Seine Filme gelten weithin als einige der bedeutendsten und einflussreichsten Werke des amerikanischen Kinos seiner Zeit. Scorseses Ansatz ist bekannt für seine Intensität und Tiefe bei der Erforschung der menschlichen Psyche.

    Wiseguy. The 25th Anniversary Edition
    On film-making an introduction to the craft of the director
    Goodfellas
    The Ages of Innocence
    Die Zeit der Unschuld
    Scorsese über Scorsese
    • Wie kein zweiter hat Scorsese in den letzten 25 Jahren den amerikanischen Film neu erfunden, ihm eine persönliche Handschrift gegeben.

      Scorsese über Scorsese
    • Nach d. Roman von Wharton, Edith Hrsg. Standefer, Robin Zahlr. meist farb. Abb. 394 S.

      Die Zeit der Unschuld
    • The complete script of the five-time Academy Award ® nominated film, with a lengthy introduction with details on the behind-the-scenes production, photos, and a special section in which the authors discuss the 22 films that influenced them. 24 b/w photos. The Newmarket Shooting Script Series features an attractive 7 x 9 1/4 inch format that includes a facsimile of the film's shooting script, as chosen by the writer and/or director, exclusive notes on the film's production and history, stills, and credits.

      The Ages of Innocence
    • 'As far back as I can remember, I've always wanted to be a gangster.'Henry Hill grows up in the 1950s, in a Brooklyn neighbourhood where Italian-American gangsters walk tall in the streets, commanding the respect of their peers.

      Goodfellas
    • A priceless examination of the filmmaker's craft, from the renowned director of Sweet Smell of Success After more than twenty years in the film industry as a screenwriter, storyboard editor, and director of memorable films such as The Ladykillers, Alexander Mackendrick turned his back on Hollywood and began a new career as the Dean of one of the country's most demanding and influential film schools. His absolute devotion to the craft of filmmaking served as a powerful impetus to students at the California Institute for the Arts for almost twenty five years, with a teaching style that included prodigious notes, neatly crafted storyboards, and handouts containing excerpts of works by Kierkegaard, Aristotle, and others. At the core of Mackendrick's lessons lay a deceptively simple goal: to teach aspiring filmmakers how to structure and write the stories they want to tell, while using the devices particular to the medium of film to tell their stories effectively. In this impressive volume, edited by Paul Cronin, the myriad materials that made Mackendrick's reputation as an instructor are collected for the first time, offering a chance for professionals as well as students to discover a methodology of filmmaking that is challenging yet refreshing in its clarity. Meticulously illustrated and drawing on examples from such classic films as North by Northwest, Citizen Kane, and Touch of Evil, Mackendrick's elegant lessons are sure to provide inspiration for a new generation of filmmakers.

      On film-making an introduction to the craft of the director
    • Kazan on Directing

      • 368 Seiten
      • 13 Lesestunden
      4,2(52)Abgeben

      Elia Kazan was the twentieth century’s most celebrated director of both stage and screen, and this monumental, revelatory book shows us the master at work. Kazan’s list of Broadway and Hollywood successes—A Streetcar Named Desire, Death of a Salesman, On the Waterfront, to name a few—is a testament to his profound impact on the art of directing. This remarkable book, drawn from his notebooks, letters, interviews, and autobiography, reveals Kazan’s method: how he uncovered the “spine,” or core, of each script; how he analyzed each piece in terms of his own experience; and how he determined the specifics of his production. And in the final section, “The Pleasures of Directing”—written during Kazan’s final years—he becomes a wise old pro offering advice and insight for budding artists, writers, actors, and directors.

      Kazan on Directing
    • From the cinema verité of the sixties to softer fare like Splash, New York has provided some of the most iconic moments on film. Beginning with a survey of such classics as Breakfast at Tiffany's, Scenes from the City captures how the changing face of New York, as well as the founding of the MOFTB, have contributed to a particular school of film characterized most emphatically in the street-style work of directors as diverse as Martin Scorsese and Spike Lee. With over 200 stills and contributions from noted New York film personalities such as Sidney Lumet and Nora Ephron, the book also includes rare, unpublished, behind-the-scenes shots and stories from the quintessential New York filmmaker himself—Woody Allen. With a special section on the landmark TV series, commercials and music videos filmed in New York, Scenes from the City is an affectionate and vivacious ovation for this captivating "character" that rarely receives billing but always steals the show.

      Scenes from the City
    • Schweigen ist der wichtigste Roman des gefeierten japanischen Autors Shusaku Endo. Er verursachte nach seiner Veröffentlichung im Jahr 1966 eine große Kontroverse in Japan. Shusaku Endo, ein japanischer Katholik, erzählt die Geschichte zweier portugiesischer Missionare, die im siebzehnten Jahrhundert in Japan versuchen, die dortige unterdrückte christliche Bewegung zu unterstützen. 1638 bricht Pater Sebastião Rodrigues nach Japan auf, um der Wahrheit hinter den undenkbaren Gerüchten, dass sein berühmter Lehrer Ferreira seinem Glauben abgeschworen habe, nachzugehen. Nach seiner Ankunft erlebt er die brutale und unmenschliche Verfolgung der Christen. Angesichts der Ereignisse in einer Gesellschaft, die keine Toleranz kennt und in der der Tod an der Tagesordung ist, stellt der Autor die immerwährende Frage: Wie kann Gott zu all dem schweigen? 2016 wird der Roman von Martin Scorsese mit Liam Neeson und Andrew Garfield in den Hauptrollen verfilmt.

      Schweigen
    • Citizen Sarris, American Film Critic

      Essays in Honor of Andrew Sarris

      • 312 Seiten
      • 11 Lesestunden
      3,7(3)Abgeben

      The collection features 38 essays that honor the legacy of Andrew Sarris, a pivotal figure in American film criticism. Organized by major themes, these writings explore his profound influence on critics, filmmakers, and the broader landscape of American popular culture, showcasing the lasting impact of his insights and critiques on the film industry.

      Citizen Sarris, American Film Critic