Gordon Bennett Bücher

The first publication to survey the writing practice of the late Gordon Bennett (1955–2014), Gordon Selected Writings gives vital insight into one of Australia's important contemporary artists in his own words. Bringing together nearly forty published and unpublished essays, and providing a glimpse into Bennett's personal archive via the reproduction of previously unseen notebooks, correspondence, sketches, preparatory compositions, and more, this book profiles the importance of the written word within Bennett's art and broader intellectual practice. Offering new knowledge of his creative process, intellectual and artistic influences, and professional relationships, it amplifies Bennett's already significant contribution to subjects of race and identity in national and global contexts, as well as reaffirming his centrality to postcolonial discourse in the twenty-first century.Edited by Angela Goddard and Tim Riley Walsh, Gordon Selected Writings is copublished by Power Publications, Sydney, and Griffith University Art Museum, Brisbane.

Set against the backdrop of a developing frontier, the story follows Jack, a pampered city boy thrust into the challenges of bush life. As he navigates the harsh realities of the environment, he learns that human treachery poses an even greater threat. This revised edition of a 1920s classic explores themes of survival, resilience, and the contrast between urban privilege and rural hardship.

The phrase "That is just like a banty rooster!" suggests a comparison that highlights a character's feisty or spirited nature, often implying a small but bold personality. The book likely explores themes of resilience, individuality, and the dynamics of strength in seemingly small figures, using vivid imagery and relatable characters to illustrate these concepts. The narrative may delve into personal growth and the impact of one's attitude on their surroundings.

Focusing on new beginnings and cultural adaptation, the narrative explores the author's firsthand experiences of living and working in Thailand, moving beyond typical tourist perspectives. It delves into the challenges and triumphs faced in navigating daily life in a vibrant yet complex environment, offering insights into the realities of Thai culture and the resilience required to thrive in a foreign land.

Gordon Bennett: Be Polite follows the exhibition of largely unseen works on paper by one of Australia's most visionary and critical artists, Gordon Bennett (1955–2014). The exhibition and publication are the first to present the work of Bennett since his death. Though rarely seen in exhibition contexts, Bennett's drawing and writing formed the foundation of his practice. This publication brings together three newly commissioned essays by art historian Ian McLean and curators and arts writers Helen Hughes and Julie Nagam. The selection of works from the Estate of Gordon Bennett comprises drawings, acrylic/gouache and watercolor paintings, poetry, and essays from the early 1990s to the early 2000s—a period that produced work of remarkable force and revealed the artist's working methods, research focuses, and ultimately his ambitions for his work. Copublished with Institute of Modern Art, Brisbane Contributors Helen Hughes, Ian McLean, Julie Nagam