William S. Anderson's introduction highlights Ovid's poetic brilliance, setting the stage for an engaging exploration of his work. The textbook promises to enhance the reader's experience through insightful commentary that illuminates Ovid's themes and techniques, making the study of his poetry both enjoyable and educational.
When William Anderson published his study of the image of life known in the West as the "Green Man", he foresaw the environmental movement's identification with his subject but not that the "Green Man" should be embraced as it has been, especially in the States, as an icon of the men's a counterpart to the goddess as a symbol of the women's movement. This new work, inspired by the eastern form of the "Green Man" raises questions about the nature of consciousness, the higher capacities of the human mind - and the act of creativity itself. The "Face of Glory" is an Indian image signifying the creative energy of God and this is the starting point of a survey of myths and images as they respond to the needs of humanity. It is further a study of the reservoir of psychic energy known as the "Great Memory" on which creativity draws and of the liberation of consciousness which is the purpose of creativity. It spans centuries of human thought and endeavour, pitting science against art, exploring the experience of joy which rises out of creativity. Anderson views creativity not as the realization of unconscious forces but as a product of consciousness which is the source of freedom.
Focusing on the artistic nature of Roman verse satire, this collection of essays challenges the notion that it serves merely as a social document or expression of protest. The author argues that satirists like Juvenal, Horace, and Persius crafted their works as literary forms, emphasizing the constructed roles of their first-person speakers. By examining the use of metaphors, similes, and contemporary themes, the essays aim to clarify the artistic intentions behind Roman satire, moving beyond romantic-era misinterpretations.
Deep brain stimulation (DBS) is used to modulate dysfunctional circuits in the brain with stimulation pulses applied to specific target areas of the brain. Globally, DBS procedures have been most commonly performed for Parkinson's disease and essential tremor, but there are now new and growing research efforts studying DBS for psychiatric disorders and epilepsy. Deep Brain Stimulation: Techniques and Practices written by the Society for Innovative Neuroscience in Neurosurgery along with Dr. William S. Anderson and distinguished experts presents the latest DBS approaches. The book begins with a history of DBS, general frame-based techniques, patient selection primarily for movement disorders, multidisciplinary collaboration, and ethical considerations. Subsequent chapters detail diverse technologies and disease-specific treatment for Parkinson's disease, essential tremor, dystonia, OCD, epilepsy, major depression, Tourette syndrome, emerging psychiatric indications, and pediatric applications