Donald Goines Bücher

The story follows Teddy and Terry, a young couple whose promising future is overshadowed by Teddy's heroin addiction. Initially admired for their talent and potential, their lives spiral into darkness as they both succumb to the drug's grip. The narrative, based on Goines' own experiences with addiction, offers a raw and unfiltered exploration of the devastating impact of substance abuse on love and ambition.

For the first time in more than a decade, Kenyatta’s Last Hist is now back in print, along with the previous titles in the series, with a whole new look to attract new readers as well as long-time fans of the legendary godfather of urban lit. The OG godfather of urban lit lays it all on the line with the epic, action-packed conclusion to Kenyatta’s quest to reclaim his streets . . . For Kenyatta, the bullet-proof street legend himself, the take-no-prisoners war is far from over. With new recruits bolstering his hardened army, he’s ready to take down the drug pushers and their relentless, spreading infestation. This time the battle is moving out of the streets and heading west, where he faces off with his arch enemy in a brutal showdown in Vegas, high atop a glittering hotel. One bullet, one hit, one survivor—winner takes all . . .

Johnny Washington, a black teenager in Los Angeles, knows the freight yard like the back of his hand. He and his pals, Josh and Buddy, hit them often, stealing for a fence. They have to. They're the soul support of their families. But when Josh is killed by a security guard (who gets his brains scattered by Buddy with nunchaku sticks), they are forced to look for other work. They find it with the underworld kings in Elliot Davis. But when Davis recruits Johnny's sister for his stabke and later OD's her, Johnny and Buddy come on with a vengeance."He lived by the code of the streets and his books vividly recreated the street jungle and its predators." — New Jersey Voice

"The voice of the ghetto itself." — The Village VoiceA fistful of revenge, street-style, from Donald Goines, the godfather of urban lit. . .Eldorado Red has it all—new cars, women, and plenty of money. But when you're the top dog, the sure bet is that someone—everyone—wants to take what you got. You just never think your own flesh and blood will pull the trigger. Now Eldorado's son, Buddy, is on the run. The thing is, Eldorado wants to let him go, but in the law of the streets, retribution has a mind of its own. . ."He lived by the code of the streets and his books vividly recreated the street jungle and its predators." — New Jersey Voice

Set against a backdrop of tension and violence, the story follows young Curtis Carson, whose gambling prowess leads to deadly consequences when his actions provoke the Chicano community. After a tragic barroom shootout linked to drug dealings leaves his brother severely injured, Curtis vows revenge, igniting a brutal conflict between black and Chicano gangs. Themes of loyalty, vengeance, and the harsh realities of street life unfold as Curtis navigates a world where every decision could cost him everything.

From one of the most revolutionary writers of the 20th century, the uncensored and gritty novel that inspired today’s street lit and hip hop culture. Whoreson “After my ninth birthday I began to really understand the meaning of my name. I began to understand just what my mother was doing for a living. There was nothing I could do about it, but even had I been able to, I wouldn’t have changed it.” Whoreson Jones is the son of a beautiful black prostitute and an unknown white john. As a child, he’s looked after by his neighborhood’s imposing matriarch, Big Mama, while his mother works. At age twelve, his street education begins when a man named Fast Black, schools him in trickology. By thirteen, Whoreson’s a cardsharp. By sixteen, his childhood abruptly ends, and he is a full-fledged pimp, cold-blooded and ruthless, battling to understand and live up to his mother’s words, “First be a man, then be a pimp.” “All those [other black] writers, no matter how well they dealt with black experience, appealed largely to an educated, middle-class, largely white readership. They brought news of one place to the residents of another. Goines’ novels, on the other hand, are written from ground zero. They are almost unbearable. It is not the educated voice of a writer who has, so to speak, risen above his background. It is the voice of the ghetto itself.” —Michael Covino, The Village Voice