Olumide Popoola Bücher

In this is not about sadness, an unlikely friendship between two complex and traumatised London-based women, one an older Jamaican, the other a young South African, is explored through each character’s use of specific language to relate to space, memory and silence. The lyrical dual-narration allows vernacular language to shape the structure and flow, echoing call-and-response modes familiar to international storytelling traditions.The novel follows pensioner Mrs. Thompson’s and young activist Tebo’s developing friendship and the problems that arise due to their different views on political issues. Their conflictive personalities make for an unusual pair and both carry unspoken trauma. When Tebo cries one day to offer empathy for Mrs. Thompson’s pain, the silence is broken. Their bond is sealed through the acknowledgment of the other’s pain, the personal histories arrive in a space where understanding difference creates possibility for healing and alliance.

The eight short stories in breach explore the refugee crisis through fiction. Dlo and Jan break into refrigerated trucks bound for the UK. Marjorie, a volunteer, is happy to mingle in the camp until her niece goes a step too far. Mariam lies to her mother back home. With humour, insight and empathy breach tackles an issue we can no longer ignore.

Some of the women walked so slow they were, like, floating. For real. Heads perfectly straight. Hips swaying, left, slow, right, slow, step, slow. If you didn't concentrate you would think they weren't moving at all, their bodies just hanging in space...Best mates Karl and Abu are both 17 and live near Kings Cross. Its 2011 and racial tensions are set to explode across London. Abu is infatuated with gorgeous classmate Nalini but dares not speak to her. Meanwhile, Karl is the target of the local wannabe thugs just for being different. When Karl finds out his father lives in Nigeria, he decides that Port Harcourt is the best place to escape the sound and fury of London, and connect with a Dad he's never known. Rejected on arrival, Karl befriends Nakale, an activist who wants to expose the ecocide in the Niger Delta to the world, and falls headlong for his feisty cousin Janoma. Meanwhile, the murder of Mark Duggan triggers a full-scale riot in London. Abu finds himself in its midst, leading to a near-tragedy that forces Karl to race back home.When We Speak of Nothing launches a powerful new voice onto the literary stage.The fluid prose, peppered with contemporary slang, captures what it means to be young, black and queer in London. If grime music were a novel, it would be this.

Sometimes we swim, sometimes we float, other times we are drowning. It's not always easy to know which is which. It is the ten-year anniversary of her sister's death, and Nia is grappling with her grief, and balancing the complicated relationships weaving through her life. There is smart and sexy Temi; Melvin, her teenage love; and her new yet intimate friendship with Rahul and Crystal. But looming large over everything is her mother SuSu, whose battle with bipolar disorder continues to cast a profound shadow over Nia. Delving deep into the intricate tapestry of Nia's life, Like Water Like Sea is a poignant tale of self-discovery and resilience, sexuality and motherhood, and falling apart to become truly whole.

Also by Mail is a modern family comedy-drama that follows the experiences of Nigerian German siblings Funke and Wale who fly to Nigeria to bury their suddenly deceased father. Their upbringing clashes with their uncle’s expectations and initial misunderstandings soon come to an éclat. When Wale returns to Germany, frustrated, he is bitterly reminded of how little his father acknowledged and prepared them for racist encounters there. Loss and racism, sibling rivalry and cross-cultural etiquette, the play incorporates and subverses it’s urban, neo-African elements of story-telling to give a contemporary picture of a family that struggles not only with the legacy of its patriarch but with being racialized within the German context as well. Where does each stand in a circle of relations and needs? Where does each want to end up? And who is willing to help? It takes an inside-outside job to lighten the mood and the surprise startles them all.