Mark Samuels Bücher
Mark Samuels ist ein britischer Autor von Weird und fantastischer Fiktion, der in der Tradition von Arthur Machen und H. P. Lovecraft steht. Seine Kurzgeschichten konzentrieren sich oft auf die Beschreibung einer Schattenwelt, in der seine Protagonisten nach und nach erschreckende und ekstatische Ausblicke entdecken, die sich hinter der Moderne verbergen. Samuels' Werk wurde von Kollegen hoch gelobt und erschien in renommierten Anthologien des Horror- und Weird-Genres auf beiden Seiten des Atlantiks.




Literate and subtle horror takes center stage, appealing to readers who appreciate nuanced storytelling. The narrative weaves psychological tension with chilling elements, creating a haunting atmosphere that lingers. With compelling characters and intricate themes, it invites exploration of fear and the human psyche. This book promises to captivate those who enjoy a sophisticated approach to the horror genre.
Witch-Cult Abbey
- 162 Seiten
- 6 Lesestunden
Set in 1940, the story follows Saul Prior as he is tasked with cataloguing the library of Thool Abbey, which leads him into an isolated and eerie environment. As he navigates the abbey, he encounters strange dreams and an overwhelming sense of entrapment. Lady Caroline Degabaston emerges as a haunting figure, deepening the mystery. The narrative intricately weaves elements of Gothic horror and surrealism, creating a chilling atmosphere that blurs the line between reality and the uncanny.
Mark hardly needs an introduction — this is his 6th collection of short stories following on from 2016’s instantly sold-out “Written in Darkness”. This book contains the following stories: “Decay” “An End to Perpetual Motion” “Moon Blood Red – Tide Turning” “The Crimson Fog” “The Court of Midnight” “In the Complex” All six stories — the middle one a novelette — are interconnected by a common thread. The story “In the Complex” will be first published here and “The Crimson Fog”, arguably this collection’s centerpiece, has not been published in this form elsewhere either. Illustrated endpapers and a frontispiece by Ibrahim Ineke.