David Sterritt ist ein versierter Filmkritiker und Gelehrter, der für seine aufschlussreichen Erkundungen des Avantgarde-Kinos, Theaters und der Musik bekannt ist. Sein Schreiben zeichnet sich durch eine intelligente Auseinandersetzung mit kontroversen Themen und einen lebendigen, zugänglichen Stil aus, der komplexe filmische Kunst entmystifiziert. Sterritt hat ein besonderes Interesse an Filmen, die spirituelle Dimensionen erforschen, und bietet sorgfältige Überlegungen zu deren theologischen und philosophischen Grundlagen. Seine umfangreiche Erfahrung und sein akademischer Hintergrund festigen seine bedeutende Stellung in der Filmkritik.
Alfred Hitchcock, a master of suspense, is celebrated for his groundbreaking contributions to cinema, particularly through iconic films like Dial M for Murder, Vertigo, and Psycho. His unique blend of thrilling narratives, dark humor, and psychological depth has left an indelible mark on the genre. Renowned for his artistic innovations and captivating showmanship, Hitchcock's films continue to resonate, showcasing his ability to engage and unsettle audiences in unforgettable ways.
Exploring the multifaceted relationship between rock music and cinema, this work examines a range of films, including B-movies, Hollywood hits, avant-garde pieces, biopics, animated shorts, and performance documentaries. Acclaimed film critic David Sterritt delves into how filmmakers have interpreted and represented rock 'n' roll across various genres, showcasing its cultural impact and artistic significance in motion pictures.
Focusing on the significance of Godard's films, the work explores their impact on both modernist and postmodernist art. It delves into how Godard's innovative storytelling and visual techniques have influenced contemporary artistic expressions, making a case for his pivotal role in shaping cinematic language and aesthetics. Through analysis, the book highlights the intersection of film and art, emphasizing Godard's contributions to the evolution of cultural narratives.
David Sterritt, a prominent film critic and professor, offers insightful critiques that resonate with both scholars and general readers. His keen observations and profound grasp of cinema's history highlight his unique perspective in the film world. Recognized for his thought-provoking analysis, Sterritt's work stands out for its clarity and depth, making it a valuable resource for anyone interested in film.
He became a movie star playing The Man With No Name, and today his name is known around the world. Measured by longevity, productivity, and profits, Clint Eastwood is the most successful actor-director-producer in American film history. This book examines the major elements of his career, focusing primarily on his work as a director but also exploring the evolution of his acting style, his long association with screen violence, his interest in jazz, and the political views – sometimes hotly controversial – reflected in his films and public statements. Especially fascinating is the pivotal question that divides critics and moviegoers to this day: is Eastwood a capable director with a photogenic face, a modest acting talent, and a flair for marketing his image? Or is he a true cinematic auteur with a distinctive vision of America’s history, traditions, and values? From A Fistful of Dollars and Dirty Harry to Million Dollar Baby and beyond, The Cinema of Clint Eastwood takes a close-up look at one of the screen’s most influential and charismatic stars.
This book offers a concise overview of the social, cultural, and aesthetic
sensibilities of the Beat Generation, explaining how their drastic visions and
radical styles challenged postwar America's dominant values in ways that can
still be felt in literature, cinema, music, theatre, and the visual arts.
The book explores Alfred Hitchcock's extensive career, highlighting the diverse influences that shaped his filmmaking style. It delves into his innovative techniques and the thematic elements that define his work, providing insights into his creative process and the evolution of his films over time. Through a detailed analysis, readers gain a deeper understanding of Hitchcock's impact on cinema and the factors that contributed to his status as a master filmmaker.
"Once the B movie was the Hollywood stepchild, the underbelly of the double feature. Today it is a more inclusive category, embracing films that fall outside the mainstream by dint of their budgets, their visions, their grit, and occasionally - sometimes essentially - their lack of what the culture cops call "good taste."" Featuring the choicest noir, neo-noir, science fiction, horror, western, midnight movies, and more - from critics like David Ansen, Jami Bernard, Roger Ebert, Carrie Rickey, Richard Schickel, and Kenneth Turan - the films in The B List are offbeat, unpredictable, and decidedly idiosyncratic.
