Gratis Versand in ganz Österreich
Bookbot

Julia Langbein

    Laugh Lines
    American Mermaid
    • A brilliantly funny and razor-tongued debut follows a writer lured to Los Angeles to adapt her feminist mermaid novel into a big-budget action film, believing her heroine has come to life to seek revenge for Hollywood's violations. Penelope Schleeman, a broke Connecticut high school teacher, is surprised when her debut novel, "American Mermaid," about a wheelchair-bound scientist named Sylvia who discovers her withered legs are remnants of a powerful tail, becomes a bestseller. Lured to LA by promises of easy money, Penelope is tasked with co-writing the screenplay for a major studio alongside two male hacks. As the studio pressures her to transform Sylvia from a fierce eco-warrior into a teen sex object, strange occurrences unfold. Threats emerge in the screenplay draft, and siren calls lead people into danger. When her partners attempt to kill off Sylvia in a false cinematic ending, tensions escalate. Is Penelope losing her mind, or is Sylvia truly among us? The story explores a young woman's journey through a world of casual smiles and ruthless calculation, as she discovers a beating heart in her fiction—a creature she’ll do anything to protect. This comic and insightful tale features two female characters in search of truth, love, and self-acceptance as they navigate their worlds without losing their voices.

      American Mermaid
    • Laugh Caricaturing Painting in Nineteenth-Century France is the first major study of Salon caricature, a kind of graphic art criticism in which press artists drew comic versions of contemporary painting and sculpture for publication in widely consumed journals and albums. Salon caricature began with a few tentative lithographs in the 1840s and within a few decades, no Parisian exhibition could open without appearing in warped, incisive, and hilarious miniature in the pages of the illustrated press.This broad survey of Salon caricature examines little-known graphic artists and unpublished amateurs alongside major figures like Édouard Manet, puts anonymous jokesters in dialogue with the essays of Baudelaire, and holds up the material qualities of a 10-centime album to the most ambitious painting of the 19th-century. This archival study unearths colorful caricatures that have not been reproduced until now, drawing back the curtain on a robust culture of comedy around fine art and its reception in 19th-century France.

      Laugh Lines