Claude McKay Bücher

Der Harlem Renaissance-Klassiker erstmals auf Deutsch! Banana Bottom, um 1910: Bita Plant ist kaum wiederzuerkennen, als sie nach Jamaika zurückkehrt – in England ist die junge Schwarze zur vollendeten britischen Lady erzogen worden. Reverend Malcolm Craig und seine Frau Priscilla, Bitas weiße Zieheltern, die ihr die Ausbildung ermöglicht haben, sind hochzufrieden – und der perfekte Bräutigam für Bita steht auch schon bereit. Gemeinsam soll das junge Paar in die Fußstapfen der Craigs treten und später einmal die Leitung der Mission übernehmen. Doch Bita fühlt sich magisch angezogen von der karibischen Kultur und ihren leidenschaftlichen, lebensfrohen Menschen. Hin und her gerissen zwischen ihren jamaikanischen Wurzeln und der elitären Welt der Weißen kämpft sie um ihre Identität und darum, ihren eigenen Weg im Leben zu finden. »Ich wollte nie jemand anderes sein als ich selbst.« Bita Plant, Banana Bottom

The complete works of previously unpublished and published poetry of a pioneer of modern black writing schovat popis

Exploring the formative years of McKay, this book delves into the themes and political influences that shaped his early poetry. It highlights his innovative use of Jamaican creole, showcasing how this linguistic choice reflects his cultural identity and artistic vision. Through a detailed analysis, it offers insights into the foundational aspects of McKay's work, emphasizing his significance in the literary landscape.

A collection of poems by Claude McKay, one of the first poets of the Harlem Renaissance.

McKay's account of his long odyssey from Jamaica to Harlem and then on to France, Britain, North Africa, Russia, and finally back to America. As well as depicting his own experiences, the author describes his encounters with such notable personalities as Charlie Chaplin, George Bernard Shaw, H. G. Wells, Leon Trotsky, W. E. B. Du Bois, Isadora Duncan, Paul Robeson, and Sinclair Lewis.

A harbinger of the Harlem Renaissance first published in 1922, this collection of poignant, lyrical poems explores Claude McKay’s yearning for his Jamaican homeland and the bitter plight of Black and African Caribbean people in America—now with an introduction by Pulitzer Prize–winning poet Jericho Brown. ONE OF THE MOST ANTICIPATED BOOKS OF 2022—Vulture With pure heart, passion, and honesty, Claude McKay offers an acute reflection on the complex nature of racial identity in the Caribbean diaspora, encompassing issues such as nationalism, freedom of expression, class, gender, and sex. The collection’s eponymous poem, “Harlem Shadows,” portrays the struggle of sex workers in 1920s Harlem. In “If We Must Die,” McKay calls for justice and retribution for Black people in the face of racist abuse. Juxtaposing the cacophony of New York City with the serene beauty of Jamaica, McKay urges us to reckon with the oppression that plagues a “long-suffering race,” who he argues has no home in a white man’s world. Poems of Blackness, queerness, desire, performance, and love are infused with a radical message of resistance in this sonorous cry for universal human rights. Simultaneously a love letter to the spirit of New York City and an indictment of its harsh cruelty, Harlem Shadows is a stunning collection that remains all too relevant one hundred years after its original publication.

As a facsimile reprint of a scarce antiquarian work, this book offers readers a glimpse into historical literature while preserving its original imperfections, such as marks and notations. It emphasizes the cultural significance of the text, reflecting a commitment to protecting and promoting literary heritage through high-quality, accessible editions. This dedication ensures that important works remain available for contemporary audiences while maintaining their authentic character.

Jake Brown, a Black American soldier and a World War I deserter, returns to Harlem and struggles to find his place in a vibrant working-class community that's rife with poverty, crime, and racism.

"Buried in the archive for almost ninety years, Claude McKay's 'Romance in Marseille' traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers - collectively straight and queer, disabled and able-bodied, African, European, Caribbean, and American. Set largely in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala, an acutely disabled but abruptly wealthy West African sailor."-- Provided by publisher