One of the bestselling novels of all time, The Great Gatsby is also considered one of the most significant achievements in twentieth-century fiction. In Gatsby: The Cultural History of the Great American Novel, Bob Batchelor explores the birth, life, and enduring influence of The Great Gatsby
American Science Fiction and the Roots of Postmodernism, 1946-1964
Focusing on the golden age of American science fiction in the 1950s, this book explores key novels and films from 1946 to 1964, a time marked by Cold War tensions. It highlights how these works reflect societal anxieties, particularly through themes of alien invasion and nuclear holocaust, paralleling the insights of contemporary social and cultural critics. The analysis reveals the profound impact of the era's geopolitical climate on the genre, showcasing the interplay between fiction and the fears of the time.
This text introduces the Caribbean anglophone novel to students. schovat popis
The book offers a comprehensive exploration of Science Fiction literature, featuring a detailed chronology and an introductory essay that contextualizes the genre's evolution. With over 300 cross-referenced entries, it serves as an extensive reference guide, highlighting key authors, works, themes, and significant developments within the genre. An extensive bibliography further enriches the reader's understanding and provides resources for further study, making it an essential tool for enthusiasts and scholars alike.
Exploring over 50 years of science fiction cinema, this book delves into its significance as a major American film genre. It highlights how these films have mirrored crucial themes and societal concerns, offering insights into the cultural evolution of America. By examining the intersection of science fiction and societal developments, the narrative provides a comprehensive understanding of both the genre and the historical context it has emerged from.
Exploring the evolution of American national myths, this book examines how narratives of adventure, individual heroism, and cultural icons reflect societal values and aspirations. It highlights figures like Christ, Shane, and Superman, who embody savior qualities, often appealing to youth. Additionally, it considers more relatable heroes, such as hardboiled detectives, who confront evil in everyday contexts. By analyzing these fantasies, the work seeks to uncover insights into contemporary American identity and the aspirations that shape it.
Exploring the influence of postmodernism on American culture, this volume delves into its significant presence in cinema. It examines how films like Pulp Fiction, Mulholland Drive, and Marie Antoinette embody themes of fragmentation, musical integration, and pastiche. The book is divided into four sections that provide an accessible overview of postmodernist elements in film, highlighting its impact on everyday life and media, making it a vital resource for understanding this cultural phenomenon.
Exploring the cultural significance of a renowned television series, this book delves into themes such as evolving gender roles, family dynamics, and workplace relationships in the context of the American experience. It highlights how audiences connect with quality television to shape their identities and understand their lives, reflecting on the past while navigating contemporary issues.
Chinua Achebe wurde am 15. November 1930 als Albert Chinualumogu Achebe in Ogidi im Osten Nigerias als Sohn eines Katechisten und Lehrers der Church Missionary Society aus dem Volk der Ibo (eine der drei großen Ethnien Nigerias) geboren. Er besuchte die Missionsschule in Ogidi. Von 1944 bis 1947 besuchte er das Government College in Umuhia. Danach studierte er Anglistik, Geschichte und Theologie am University College von Ibadan. 1958 schrieb er seinen ersten Roman Things Fall Apart , der ihn zum Klassiker der afrikanischen Gegenwartsliteratur werden ließ. 1983 erschien er im Suhrkamp Verlag unter dem Titel Okonkwo oder das Alte stürzt . Nach einem schweren Verkehrsunfall im Jahr 1990 in Nigeria war Achebe auf einen Rollstuhl angewiesen. Seitdem lebte er in Annandale-On-Hudson im Staat New York und lehrte dort am Bard College. Er ist am 22. März 2013 in Boston gestorben.
0Meisterhaft erzählt Joyce vom Leben in Dublin, von kleinen Angestellten, von der guten Gesellschaft, von Dienstmädchen und Pensionswirtinnen, „die alle ihre Fröhlichkeit durch die Sünde oder den Gedanken an die Sünde bewahren“, wie zum Erscheinen des Buches 1914 im Manchester Guardian zu lesen war. Textausgabe in der Originalsprache, mit Übersetzungen schwieriger Wörter am Fuß jeder Seite, Nachwort und Literaturhinweisen.
