This collection features Drew Friedman's early comics, originally published in Raw magazine and other outlets. It showcases his distinctive style and humor, capturing the essence of his artistic evolution. The book offers a nostalgic glimpse into Friedman's unique perspective on culture and society, appealing to both longtime fans and new readers alike.
Drew Friedman Bücher
Drew Friedman erlangte in den 1980er Jahren zunächst Bekanntheit durch seine morbiden alternativen Comics, oft in Zusammenarbeit mit seinem Bruder Josh Alan Friedman, der vergangene Berühmtheiten in absurden, tragikomischen Szenarien darstellte. Sein einzigartiger Stil, der die dunkle Seite des Ruhms und die Absurdität des Lebens einfängt, brachte ihm Lob von Persönlichkeiten wie Kurt Vonnegut ein, der ihn mit Goya verglich. Friedmans künstlerische Entwicklung umfasst Illustrationen für bedeutende Publikationen und Sammlungen wie 'Old Jewish Comedians', die die New York Times Book Review als 'ein Festival der Zeichenvirtuosität und fabelhaften runzligen Gesichter' pries und ihn als 'den Vermeer des Borscht Belt' bezeichnete. Seine Arbeit zeichnet sich durch ein tiefes Verständnis der menschlichen Natur und eine meisterhafte Darstellung ihrer Schwächen aus.






Too Soon?: Famous/Infamous Faces 1995-2010
- 204 Seiten
- 8 Lesestunden
Featuring a unique blend of celebrity portraits and caricatures, this collection showcases the distinctive artistic style of Drew Friedman. Known for his sharp wit and keen observation, Friedman captures the essence of various iconic figures, offering both humor and insight into their personalities. This compilation highlights his talent for transforming well-known faces into memorable illustrations, making it a must-have for fans of art and pop culture.
We Saw Scenery
- 288 Seiten
- 11 Lesestunden
In her first ever graphic memoir, four-time Emmy-winning comedy writer Merrill Markoe unearths her treasured diaries, long kept under lock and key, to illustrate the hilarious story of her preteen and teen years and how she came to realise that her secret power was her humour.
Heroes of the Comics: Portraits of the Pioneering Legends of Comic Books
- 184 Seiten
- 7 Lesestunden
Drew Friedman’s collection showcases portraits of both renowned and lesser-known cartoonists who contributed to the world of comics, including the creators of superheroes and iconic works like Mad magazine. Through these illustrations, the book highlights the diverse talents and personalities behind beloved characters and stories, celebrating the artistry and impact of these influential figures in the cartooning landscape.
More Heroes Of The Comics: Portraits Of The Legends Of Comic Books
- 184 Seiten
- 7 Lesestunden
Spanning the birth of the industry to its first few decades, this book has approximately 100 full-color portraits of the legends of American comic books―publishers, editors, and artists. Its subjects are popular and obscure, men and women, and it includes several pioneering artists of color.
Drew Friedman's Chosen People
- 136 Seiten
- 5 Lesestunden
Artists, cartoonists, comedians, musicians, actors, politicians, the famous and the infamous, these chosen people are just that: People chosen to be rendered by the man BoingBoing calls “The greatest living portrait artist.”
All The Presidents
- 112 Seiten
- 4 Lesestunden
From the artist hailed by many as the greatest portraitist of our time comes All the Presidents, a stunning new collection of likenesses of every U.S. president in American history, from George Washington through Donald J. Trump, each rendered in Friedmans celebrated style. Accompanied by vital statistics and fun factoids about each subject, All the Presidents also features an introduction in comics form by the author, as well as a foreword by Kurt Andersen, author and host of public radios Studio 360"--Back cover
Perverted, Insane, Degenerate, Brilliant. Artist Drew Friedman pays tribute to the great underground comix creators from Z (Zap) to A (Arcade).
A new collection of portraits of cultural legends from the only cartoonist to have graced the covers of both New Yorker and Mad magazine, and seemingly everything in between.