Cecile Debray-Amar Bücher

Genius. Anti-artist. Charlatan. Impostor! Since 1914 Marcel Duchamp has been called all of these. No artist of the 20th century has aroused more passion and controversy, nor exerted a greater influence on art, the very nature of which Duchamp challenged and redefined as concept rather than product by questioning its traditionally privileged optical nature. At the same time, he never ceased to be engaged, openly or secretly, in provocative activities and works that transformed traditional artmaking procedures. Written with the enthusiastic support of Duchamp's widow, this is one of the most original and important books ever written on this enigmatic artist, and challenges received ideas, misunderstanding and misinformation

Picasso nannte Dalí einen „Außenbordmotor im Dauerbetrieb“. Dalí selbst hielt sich für ein Genie, dem es zustand, jeder Verrücktheit nachzugehen, die ihm gerade in den Sinn kam. Der Maler, Bildhauer, Schriftsteller und Filmemacher Salvador Dalí (1904–1989) war einer der größten Exhibitionisten und Exzentriker des 20. Jahrhunderts – zugleich verehrt und höchst umstritten. Als einer der Ersten ließ er Sigmund Freuds Erkenntnisse aus der Psychoanalyse in die Malerei einfließen und machte mit außerordentlicher Sensibilität und Einbildungskraft das Unterbewusste zum Gegenstand seiner Kunst. Dieser Band präsentiert das gesamte malerische Werk Dalís. Nach jahrelanger Forschung gelang es Robert Descharnes und Gilles Néret , sämtliche Bilder des extrem produktiven Künstlers aufzuspüren. Viele Werke waren seit Jahren nicht zugänglich, fast die Hälfte der abgebildeten Illustrationen hat bisher kaum jemand zu Gesicht bekommen.

One hundred seventy-one monochromes are reproduced in an overview of the nature and evolution of photomontage

The first publication to explore the friendship between Marcel Duchamp and Salvador Dali, two of the most important artists of the twentieth century. The book features previously unpublished material and accompanies a ground- breaking exhibition at the Royal Academy of Arts, London.

Enchanted Ground is about the challenge to modernist criticism by Surrealist writers-mainly André Breton but also Louis Aragon, Pierre Mabille, René Magritte, Charles Estienne, René Huyghe and others-who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism-Paul Cézanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh-became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.

Now available in paperback, this book on the celebrated Dada artist Hannah Höch explores her use of collage as the artistic medium of choice for both satire and poetic beauty. World-renowned for her work during the Weimar period, Hannah Höch was a pioneer in many aspects, both artistic and cultural. She was the lone woman of the Berlin Dada movement — the riotous form of art that deconstructed sound, language, and images to re-assemble them into new objects, texts and meanings. A determined believer in women’s rights, Höch questioned conventional concepts of partnership, beauty and the making of art, her work presenting acute critiques of racial and social stereotypes, particularly that of her native Germany. Focusing on Höch’s collages, this book examines the artist’s career from the 1920s to the 1970s, charting her oeuvre from early works influenced by fashion and mass media, through to her later compositions of lyrical abstraction. It reveals her rapid development of a personal style, which was both humorous and often moving. Included are essays that examine themes such as the concept of the »New Woman« and the legacy of German colonialism. Featuring international scholarship on a groundbreaking artist, this volume brings together important source texts and reference material, which were first translated into English for the original edition of this book.

Vous me demandez qui je suis? Ca, c'est une question terrible... Francois Hollande

C'est l'histoire d'un affrontement, d'une révolte que personne n'a vus venir. Le récit d'un face-à-face entre des Gilets jaunes qui n'arrivent plus à vivre dignement et un Président silencieux en son palais. C'est l'histoire de ces semaines qui ont ébranlé le pays, de ces Françaises et ces Français qui ont occupé les ronds-points, ont manifesté tous les samedis, de ces victimes de violences policières, de ces policiers blessés à l'Arc de triomphe, de ce pouvoir tétanisé qui a eu peur de tomber. L'histoire racontée par le peuple. Et par le Président.