Robert Morrison Bücher

The fascinating story of the Regency period in Britain - an immensely colourful and chaotic decade that marked the emergence of the modern world.

A surprising and lively history of an overlooked era that brought the modern world of art, culture, and science decisively into view. The Victorians are often credited with ushering in our current era, yet the seeds of change were planted in the years before. The Regency (1811–1820) began when the profligate Prince of Wales—the future king George IV—replaced his insane father, George III, as Britain’s ruler. Around the regent surged a society steeped in contrasts: evangelicalism and hedonism, elegance and brutality, exuberance and despair. The arts flourished at this time with a showcase of extraordinary writers and painters such as Jane Austen, Lord Byron, the Shelleys, John Constable, and J. M. W. Turner. Science burgeoned during this decade, too, giving us the steam locomotive and the blueprint for the modern computer. Yet the dark side of the era was visible in poverty, slavery, pornography, opium, and the gothic imaginings that birthed the novel Frankenstein. With the British military in foreign lands, fighting the Napoleonic Wars in Europe and the War of 1812 in the United States, the desire for empire and an expanding colonial enterprise gained unstoppable momentum. Exploring these crosscurrents, Robert Morrison illuminates the profound ways this period shaped and indelibly marked the modern world.

The tales of terror and hysteria published in the heyday (1817-32) of "Blackwood's Edinburgh Magazine" became a literary legend in the 19th century. This edition selects some of the best and most representative tales from the magazine's first 15 years including work by Walter Scott and John Galt

Author of the famed and scandalous <em>Confessions of an English Opium-Eater</em>, Thomas De Quincey (1785-1859) has long lacked a full-fledged biography. His friendships with leading poets and men of letters in the Romantic and Victorian periods—including William Wordsworth, Samuel Taylor Coleridge and Thomas Carlyle—have long placed him at the center of nineteenth century literary studies. He was a man who engaged with nearly every facet of literary culture, including the roles played by publishers, booksellers, and journalists in literary production, dissemination and evaluation. His writing was a tremendous influence on Edgar Allan Poe, Charles Dickens, and William Burroughs. De Quincey is a fascinating (and topical) figure for other reasons, too: a self-mythologizing autobiographer whose attitudes to drug-induced creativity and addiction strike highly resonant chords for a contemporary readership. Robert Morrison’s biography passionately argues for the critical importance and enduring value of this neglected icon of English literature.