Rebecca Harrison Bücher

Focusing on Portland's rich maritime history, the book details its evolution as a shipbuilding hub beginning in 1840 with the schooner Star of Oregon. It highlights the significant contributions of local shipyards during World War II, which produced 621 ships for the war effort. Additionally, the narrative covers the role of steel and iron companies in utilizing Portland's harbors for manufacturing. Today, Portland is a major shipping center, moving over 13 million tons of cargo annually, particularly as the leading shipper of wheat in the U.S.

The historical narrative centers on the development of Canby, Oregon, beginning with early European settlers like James Baker, who arrived in 1838 with a cattle drive. The town's growth was further propelled by Joseph Knight and his sons in 1868, who established local businesses. The town was named after Maj. Gen. Edward R.S. Canby, a Civil and Indian War hero, by his friend Ben Holladay. Canby was officially incorporated on February 15, 1893, becoming the second-oldest city in Clackamas County, showcasing its rich agricultural and military heritage.

The Empire Strikes Back (1980), the second film in the original Star Wars trilogy, is often cited as the 'best' and most popular Star Wars movie. In her compelling study, Rebecca Harrison draws on previously unpublished archival research to reveal a variety of original and often surprising perspectives on the film, from the cast and crew who worked on its production through to the audiences who watched it in cinemas. Harrison guides readers on a journey that begins with the film's production in 1979 and ends with a discussion about its contemporary status as an object of reverence and nostalgia. She demonstrates how Empire's meaning and significance has continually shifted over the past 40 years not only within the franchise, but also in broader conversations about film authorship, genre, and identity. Offering new insights and original analysis of Empire via its cultural context, production history, textual analysis, exhibition, reception, and post-1980 re-evaluations of the film, the book provides a timely and relevant reassessment of this enduringly popular film.